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Johnny Hallyday EP Collection 1961-66 (31xEP PS, 3-Box Sets)

EP Collection 1961-66 (31xEP PS, 3-Box Sets)
 
 
Please inform me as soon as the product is available again.
 
 

catalog number: EP080001

weight in Kg 2,620

$412.65 *
 
 

Johnny Hallyday: EP Collection 1961-66 (31xEP PS, 3-Box Sets)

(2009/MERCURY FRANCE) Limited Numbered Edition (3000)
 

Songs

Johnny Hallyday - EP Collection 1961-66 (31xEP PS, 3-Box Sets) Medium 1
1: Nous quand on s'embrace  
2: Tu peux la prendre  
3: Il faut saisir sa chance  
4: Douce violence  
5: Viens danser le twist  
6: Let's Twist Again  
7: Avec une poignée de terre  
8: Toi qui regrettes  
9: Viens danser le twist  
10: Let's Twist Again  
11: Avec une poignée de terre  
12: Toi qui regrettes  
13: Wap-Dou-Wap  
14: Twistin' USA  
15: Si tu me téléphones  
16: Danse le twist avec moi  
17: Retiens la nuit  
18: Sam'di soir  
19: Ya Ya Twist  
20: Le faute au twist  
21: Rebel Rouser  
22: By The Night Of The Silvery Moon  
23: Last Night  
24: The Gun Was Loaded  
25: I Got A Woman  
26: Be Bop A Lula  
27: Maybellene  
28: Blueberry Hill  
29: Serre la main d'un fou  
30: Dans un jardin d'amour  
31: Laissez-nous twister  
32: Une fille comme toi  
33: MAdison Twist  
34: Hey! Baby!  
35: Pas cette chanson  
36: Ce n'est pas juste après toi  
37: L'idole de jeunes  
38: Tout bas, tout bas, tout bas  
39: C'est le mashed potatoes  
40: Comme l'eté dernier  
41: La bagarre 'Trouble'  
42: Statics (instrumental)  
43: I Got A Woman  
44: Tes tendres années  
45: Elle est terrible  
46: Poupée brisée  
47: Mashed Potatoe Time  
48: Les bras en croix  
49: Quitte moi doucement  
50: Quand un air vous possède  
51: Dis-moi oui  
52: Da dou ron ron  
53: Comme une hombre sur moi  
54: Je ne danserai plus jamais  
55: Douces filles de seize ans  
56: Pour moi la vie ve commencer  
57: Rien n'a changé  
58: A plein coer  
59: Ma guitare  
60: Excuse-moi partenaire  
61: Tu n'as rien de tout ca  
62: Quand je l'ai vue devant moi  
63: J'abandonne mes amours  
64: Dis-lui que j'en rêve  
65: Bonne chance!  
66: Les guitares jouent  
67: Je t'écris souvent  
68: Les mauvais garcons  
69: Ca fait mal  
70: Pour moi tu es la seule  
71: Mais je reviens  
72: O Carole  
73: J'ai oublié de me souvenir  
74: Frankie et Johnny  
75: Belle  
76: Au rythme et au blues  
77: Tu me quittes  
78: Susie-Lou  
79: Sally  
80: Johnny reviens!  
81: Celui que tu préfères  
82: Lucille  
83: Rien que huit jours  
84: Le pénitencier  
85: Toujours plus loin  
86: One More Time, Encore une fois  
87: Je te reverrai  
88: Johnny lui dit adieu  
89: On te montrera du doigt  
90: Un ami ca n'a pas de prix  
91: Maudite rivière  
92: Quand revient la nuit  
93: Le monts près du ciel  
94: Tu ne me verras pas pleurer  
95: Juste un peu de temps  
96: Mes yeux sont fous  
97: Dans ce train  
98: Reviens donc chez nous  
99: Va-t-en  
100: Mon aneau d'or  
101: Ne joue pas cd jeu-là  
102: Laissez un peu d'amour  
103: Ne pleure pas  
104: Le diable me pardonne  
105: Toi qui t'en vas  
106: Hallelujah  
107: Tu oublieras mon nom  
108: Je l'aime  
109: Maintenant ou jamais  
110: Jusqu'à minuit  
111: N'y crois pas  
112: Cheveux longs et idées courtes  
113: Du respect  
114: Les coups  
115: Si tout change  
116: Noir c'est noir  
117: Promenade dans la forêt du Brabant  
118: Le géneration perdue  
119: Absolument Hyde Park  
120: Si j'etais un charpentier  
121: On s'est trompé  
122: Je veux te garder dans ma vie  
123: La fille à qui je pense  

 

Artikeleigenschaften von Johnny Hallyday: EP Collection 1961-66 (31xEP PS, 3-Box Sets)

  • Interpret: Johnny Hallyday

  • Albumtitel: EP Collection 1961-66 (31xEP PS, 3-Box Sets)

  • Format 7inch
  • Genre Rock 'n' Roll

  • Music Genre Rock 'n' Roll
  • Music Style Singles - Rock & Roll Re-Issues / Originals
  • Music Sub-Genre 573 Singles - R&R Reissue/Original
  • Title EP Collection 1961-66 (31xEP PS, 3-Box Sets)
  • Vinyl size Single (7 Inch)
  • Speed / RPM 45 U/min
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Release date 2009
  • Label UNIVERSAL

  • SubGenre Rock - Rock'n'Roll

  • EAN: 4000127757227

  • weight in Kg 2.620
 
 

Artist description "Hallyday, Johnny"

Johnny Hallyday

The death of Johnny Hallyday!

He is the biggest rocker and entertainer that France ever gave to the world. He knew how to rock'n'roll, he knew how to sing country and ballads, and he sang the French Chanson. He is an institution in France. Jean Philip Smet aka Johnny Hallyday has died at the age of 74 of a cancer disease. 

Johnny Hallyday has an extraordinary biography. Born on June 15, 1943 in the Nazi occupied capital Paris as Jean Philipe Smet, he grew up with his aunt. She adopted him and married the American artist Lee Hallyday. As a kid Johnny saw more circus big tops than school class rooms. At age 15 he started to sing and perform and introduced himself as Johnny Hallyday to thank is adopting parents for. The first step to a tremendous career was done.

Johnny's first record was released in early 1960 on Vogue and till the end of the year a million copies were sold. Hallydays shows were wild and similar to other rock'n'roll riots elsewhere Hallyday's shows created much trouble.

He was touring also in the USA, recorded in Nashville with Shelby Singleton a series of Rock'n'Roll, Twist and Country albums. He also acted in classic French movies and worked on its soundtracks. He filled whole stadiums with his shows and especially those from Paris' Olympia are legendary. 

From 2006 Johnny Hallyday lived in Switzerland and moved to Los Angeles, California in 2013. In March 2017 Johnny Hallyday announced that he got lung cancer he died of in the night to the 6. December 2017.

 

Johnny Hallyday

Johnny Hallyday had an unusual childhood. Adopted by an aunt who married American acrobat Lee Hallyday, Johnny attended more circus tents than the school as a child. When he first sang at the age of 15, he introduced himself as Johnny Hallyday to thank his adoptive parents. Nobody could guess at this time that this boy would one day become the idol of a whole generation. His first record was recorded in early 1960, by the end of the year, 1 million were already sold. Johnny Hallyday adores Elvis Presley and apes him as best he can. He can do it pretty well. The young audience - only the young? - is so enthusiastic that at every event the furniture is demolished. Often the police have to fight tear gas against the fanatical pack.

That has not happened in France yet. Nobody from the critics, however, believes that this fever would continue. "In a year this Johnny Hallyday is already forgotten," they thought. Error. Today, after more than 15 years, Johnny Hallyday is still the idol, the apostle, even the god of a novel religion whose bible remains incomprehensible to adults. Johnny Hallyday the rocker, the hippie, the crooner seems to be obsessed by invisible demons: he roars, he rages and the audience raves along. Privately he is calm, almost shy. In 1967 he married Sylvie Vartan, the female counterpart to Johnny Hallyday. About 25 million records have been sold so far. A star that Germany has not yet discovered.
Original Press Release: Phonogram GmbH

 

In common with most European rock & roll artists of the late '50 and early '60s, Johnny Hallyday's music grew in the giant shadow cast from the United States. And, like most of his contemporaries, Hallyday nourished the dream of both recording and having a hit record in the States. Hallyday's connection to North American showbusiness traditions was stronger than that of most of his contemporaries. He had been raised by an American dan-cer, Lee Ketcham, who had first ventured to France with the touring company of `Oklahoma'. He appeared with his wife Desta, as Lee and Desta Hallyday. Ketcham actually came from Tulsa, Oklahoma and adopted the young Jean-Philippe Smet (Johnny Hallyday) who was a cousin of Desta.

By 1962, Hallyday had become the brightest star in the French pop music scene. Under the tutelage of Johnny Stark (who later managed Mireille Mathieu), Hallyday had developed a uniquely Gallic stance on rock & roll. After several visits to the United States with Ketcham, he began to pressure his record company, Philips, to let him record in the States and release records there. At that time, Shelby Singleton was head of the New York and Nashville A&R of-fices of Mercury Records, which was a North American subsidiary of Philips. "At that time," recalled Singleton, "Philips wanted us to take their top singers from each country and try to develop them in the USA. We took Nana Mouskouri for example and tried to get her some exposure in the States. We tried as a reciprocal thing. All the costs of recording, promotion and so on were borne by the French company. Most entertainers who are big in one territory want to be big all over the world and in order to satisfy Hallyday, Philips promised him he would get records released in North America. Maybe his contract was coming up for renewal. That sort of thing happened a lot at contract renewal."

Hallyday arrived in New York at some point in early 1962 and performed as the S.S. France docked at the close of its maiden voyage. Singleton then brought him to Nashville and placed him in the company of that city's A-team of pickers led by Jerry Kennedy. They worked their way through a catalogue of oldies and stand-ards. "Most of those songs had never been hits in France," asserted Singleton, "and I felt as though the treatment of the songs was different enough that they might stand a chance here." The first single drawn from the session, Shake The Hand Of A Fool, came from the pen of Singleton's first wife, Margie and it secured a fair amount of radio play. Singleton secured a slot for Hallyday on American Bandstand but the singer had a datebookfull of higher grossing commitments back home. In order to ensure that they recouped the cost of the sessions, Philips took some of the songs and re-recorded the vocal part in French for the local market. How-ever, the English version was released in other territories in which Philips was trying to break Hallyday.

Two years later, there was a frenzy in North America for British artists. Even the weakest were indiscrimately signed up and released there. Philips tried again with Hallyday, releasing some more of his recordings in North America but the vogue for British groups did not generalise to Johnny Hallyday and he remained a phenomenon only in French speaking countries. Singleton and Hallyday met again in 1976 when Hallyday was recording in Mem-phis. "He called me out of the blue one day," recalled Singleton, who had started his own labels in 1968. "He was over in Memphis cutting some sides and he didn't like what was coming off. He wanted to come to Nashville and finish the sessions so I produced him for Philips. He stayed about ten days. I got a vocal sound he really liked and he tried to buy the microphones off me after the sessions. He said I made him sound like it was the nearly '60s again." North American success notwithstanding, Johnny Hallyday remains one of the biggest stars in French entertainment.

Philips took a bold gamble trying to break him in the United States at a time when few Europeans had made an impact there. Paradoxically, his success at home meant that Hallyday barely stood a chance in the North America because he simply could not afford to take the time to start at the bottom of the ladder. However, these sessions show that Hallyday had indeed mastered the essence of rock & roll and was able to perform it with conviction in its birthplace. In a career marked by experiments, this stands as one of the most suc-cessful.
COLIN ESCOTT Toronto. November 1989.

read more:
Johnny Hallyday The 1962 Nashville Sessions Vol.2, (French)

 

 
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