Aretha Franklin Respect - The Very Best Of Aretha Franklin (2-CD)
- catalog number: CD47054
- weight in Kg 0.107
Aretha Franklin: Respect - The Very Best Of Aretha Franklin (2-CD)
Article properties: Aretha Franklin: Respect - The Very Best Of Aretha Franklin (2-CD)
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Interpret: Aretha Franklin
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Album titlle: Respect - The Very Best Of Aretha Franklin (2-CD)
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Label WARNER BROS
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Genre R&B, Soul
- Year of publication 2003
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Artikelart CD
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EAN: 0809274705426
- weight in Kg 0.107
| Franklin, Aretha - Respect - The Very Best Of Aretha Franklin (2-CD) CD 1 | ||||
|---|---|---|---|---|
| 01 | Respect | Aretha Franklin | ||
| 02 | Think | Aretha Franklin | ||
| 03 | Spanish Harlem | Aretha Franklin | ||
| 04 | (You Make Me Feel Like) A Natural Woman | Aretha Franklin | ||
| 05 | I Say A Little Prayer | Aretha Franklin | ||
| 06 | Son Of A Preacher Man | Aretha Franklin | ||
| 07 | I Never Loved A Man (The Way I Love You) | Aretha Franklin | ||
| 08 | Chain Of Fools | Aretha Franklin | ||
| 09 | Don't Play That Song (You Lied) | Aretha Franklin | ||
| 10 | Angel | Aretha Franklin | ||
| 11 | Border Song (Holy Moses) | Aretha Franklin | ||
| 12 | Rock Steady | Aretha Franklin | ||
| 13 | See Saw | Aretha Franklin | ||
| 14 | The House That Jack Built | Aretha Franklin | ||
| 15 | Oh No Not My Baby | Aretha Franklin | ||
| 16 | Until You Come Back To Me (That's I'm...) | Aretha Franklin | ||
| 17 | Good Times | Aretha Franklin | ||
| 18 | Since You've Been Gone (Sweet Sweet Baby) | Aretha Franklin | ||
| 19 | You're All I Need To Get By | Aretha Franklin | ||
| 20 | Ain't Nothing Like The Real Thing | Aretha Franklin | ||
| 21 | Do Right Woman - Do Right Man | Aretha Franklin | ||
| 22 | Share Your Love With Me | Aretha Franklin | ||
| 23 | Something He Can Feel | Aretha Franklin | ||
| 24 | Ain't No Way | Aretha Franklin | ||
| Franklin, Aretha - Respect - The Very Best Of Aretha Franklin (2-CD) CD 2 | ||||
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| 01 | Sisters Are Doin' It For... (& EURYTHMICS) | Aretha Franklin | ||
| 02 | I Knew You Were Waiting... (& GEORGE MCIHAEL) | Aretha Franklin | ||
| 03 | Through The Storm (& ELTON JOHN) | Aretha Franklin | ||
| 04 | Love All The Hurt Away (& GEORGE BENSON) | Aretha Franklin | ||
| 05 | Willing To Forgive | Aretha Franklin | ||
| 06 | Let It Be | Aretha Franklin | ||
| 07 | Never Let Me Go | Aretha Franklin | ||
| 08 | Night Time Is The Right Time | Aretha Franklin | ||
| 09 | Call Me | Aretha Franklin | ||
| 10 | Drown In My Own Tears | Aretha Franklin | ||
| 11 | People Get Ready | Aretha Franklin | ||
| 12 | My Song | Aretha Franklin | ||
| 13 | Dark End Of The Street | Aretha Franklin | ||
| 14 | Today I Sing The Blues | Aretha Franklin | ||
| 15 | A Rose Is Till A Rose | Aretha Franklin | ||
| 16 | Who's Zoomin' Who? | Aretha Franklin | ||
| 17 | Freeway Of Love | Aretha Franklin | ||
| 18 | Day Dreaming | Aretha Franklin | ||
| 19 | Bridge Over Troubled Water | Aretha Franklin | ||
Aretha Franklin
Respect
Contrary to popular opinion, Aretha Franklin had made great records prior to Jerry Wexler signing her to Atlantic. They just hadn't been in tune with the trends of the day. Under Wexler's supervision, Aretha would take her throne as the Queen of Soul.
Born in Memphis on March 25, 1942, Aretha was the daughter of the celebrated Rev. C.L. Franklin, who settled in at Detroit's New Bethel Baptist Church and rose to glory as one of the country's highest profile African-American clergymen, with dozens of albums of his sermons issued on Chess. At 14, Aretha was recording for Chess too, live from her father's church. But C.L. was a worldly man of the cloth, realizing that Aretha's stirring pipes and rock-ribbed piano were destined for mainstream stardom. He gave her his blessing when John Hammond signed her to Columbia in 1960.
Hammond and fellow Columbia producers Bobby Scott, Robert Mersey, Clyde Otis, and Bob Johnston placed the young singer in every context imaginable, from jazz chanteuse to pop songbird, showbiz crooner to soul belter, with only intermittent success. Untapped potential abounded when Aretha joined Atlantic in 1966. Wexler brought her down to Muscle Shoals, where Franklin managed to cut I Never Loved A Man (The Way I Loved You), her first R&B chart-topper, and part of its flip Do Right Woman – Do Right Man before a tussle broke out between a trumpeter and Aretha's hubby, Ted White. Then Fame Studios owner Rick Hall and White got into it. The subsequent fallout meant that Franklin wouldn't go down south to record again.
Wexler brought the Muscle Shoals session aces to New York to continue the project. Could their sound travel? "We were a little bit worried about that. After all, we're young southern guys, and then all of a sudden we're going to New York City to play on these records," says drummer Roger Hawkins. "But really, after the first couple of hours, it was just the same thing, only you're doing it in a different building."
Work began on Aretha's first Atlantic album, and when she and her little sister Carolyn, one of her background singers, started fooling around with Otis Redding's Respect—a #4 R&B hit for him in 1965—everything came together. Wexler inserted the bridge from Sam & Dave's When Something Is Wrong With My Baby for saxman King Curtis to solo over, and Aretha and Carolyn came up with the "sock it to me" line and the spelling out of "R-E-S-P-E-C-T." Aretha stole the tune right out from under Otis' nose (she even slips in a mention of one of her best Columbia sides, Runnin' Out Of Fools, on the fade), making it a number one pop and R&B smash. And in the Queen's hands, Respect became an anthem for the civil rights movement, a non-negotiable demand for African-American empowerment that was tragically overdue.
- Bill Dahl -
Various - Sweet Soul Music
Various - Sweet Soul Music 30 Scorching Classics From 1967
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