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Margot Eskens Ein Herz, das kann man nicht kaufen

Ein Herz, das kann man nicht kaufen
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1-CD with 20-page booklet, 26 titles. Playing time approx. 78 minutes.  The third CD by... more

Margot Eskens: Ein Herz, das kann man nicht kaufen

1-CD with 20-page booklet, 26 titles. Playing time approx. 78 minutes. 

The third CD by Margot Eskens, the typical representative of the clean German hit world at the beginning of the sixties. Here are her recordings from between 1959 and 1963, with the unforgettable hit Ein Herz, das kann man nicht kaufen, Platz drei der Schlagerfestspiele 1962. 

A special duet from 1959 is the song Die erste Liebe, actually sung with the Leonardos, but it was released as Die sieben Raben mit den Stimmen des Comedien-Quartets. As a bonus, the titles Kinderwunsch, Ganz still wird uns´re Welt, Weisse Weihnacht and...Denn es ist Weihnachstszeit dabei und als Erstveröffentlichung präsentiert von Bear Family Zum grossen Glück und Die blaue Stunde.

Article properties: Margot Eskens: Ein Herz, das kann man nicht kaufen

  • Interpret: Margot Eskens

  • Album titlle: Ein Herz, das kann man nicht kaufen

  • Genre Schlager und Volksmusik

  • Label Bear Family Records

  • Preiscode AH
  • Artikelart CD

  • EAN: 4000127159526

  • weight in Kg 0.115
Eskens, Margot - Ein Herz, das kann man nicht kaufen CD 1
01 Ein Herz, das kann man nicht kaufen Margot Eskens
02 Die erste Liebe (& DIE LEONARDOS) Margot Eskens
03 So wunderbar, so fabelhaft Margot Eskens
04 Komm, oh komm zurück (Die Glocken von Paris) Margot Eskens
05 Weisser Flieder, roter Mohn Margot Eskens
06 Santa Maria Del Mar Margot Eskens
07 Weswegen Margot Eskens
08 Du kommst von weit, weit her Margot Eskens
09 Wenn du heimkommst Margot Eskens
10 Andalusische Märchen Margot Eskens
11 Ich fahr' mit Pferd und Wagen Margot Eskens
12 Schenk' mir doch ein kleines Souvenir Margot Eskens
13 Regentropfen Margot Eskens
14 Fremder Domino Margot Eskens
15 Musikanten der Liebe (& WILL BRANDES) Margot Eskens
16 Jeder braucht jeden Tag Liebe Margot Eskens
17 Ich möcht' mit dir verheiratet..(& BRANDES) Margot Eskens
18 Ich möchte fliegen Margot Eskens
19 Von Tahiti nach Shaghai Margot Eskens
20 Ich bin wie ein Schiff Margot Eskens
21 Weisse Orchideen Margot Eskens
22 Marcel Margot Eskens
23 Ein schöner Tag Margot Eskens
24 Zum grossen Glück Margot Eskens
25 Die blaue Stunde Margot Eskens
26 Kinderwunsch Margot Eskens
27 Ganz still wird uns're Welt Margot Eskens
28 Weisse Weihnacht Margot Eskens
29 ...denn es ist Weihnachtszeit Margot Eskens
 Margot Eskens Margot Eskens Since Kaiser Wilhelm launched his navy, since... more
"Margot Eskens"

 Margot Eskens

Margot Eskens

Since Kaiser Wilhelm launched his navy, since children were dressed in sailor suits, since the romantic image of the sailor was promoted, there have been lots of kitsch postcards of the tearful farewell in the harbour. The hit industry of the 1950s also lived in part from the emotional district during the separation at the quay wall. When Margot Eskens dominated the radio waves in early 1957 with Cindy, oh Cindy, the Pamir still had water under the keel, and the drama of the text consisted solely of the fact that "her heart had to be sad". In Eddie Fisher's original, the sailor at sea had the part of the unfortunate. Producer Kurt Feltz, who according to his own statement just wrote the text in 20 minutes, exchanged the roles with a stroke of the pen and sent Cindy again and again - accompanied by seagulls screeching - to the harbour. In vain.

Feltz's turning manoeuvre paid off. Margot Eskens gave him a number one hit for the second time after Tiritomba. The Polydor producer had Kurt Edelhagen's orchestra play the arrangement of the Fisher song and garnished Margot Eskens' haunting voice with the voices of Johnny Dane and the comedy quartet. Dane, an Irishman, had entered the German music market via AFN Stuttgart and landed with Kurt Feltz (later he took on Tammy as a soloist). Eskens was also Feltz' creature, which he shaped according to his ideas. In 1954, 17-year-old Margot Eskens sang Moulin Rouge in front of a Cologne jury and attracted attention. Her subsequent lecture of This time it must be love, the jury member Kurt Feltz was so enthusiastic that she was selected from a total of 12000 candidates and hired by Polydor. Even if at that time it was only a training contract for 250 Marks per month and without additional remuneration for recordings, this meant a giant leap into the world of show business for the dental assistant from Düren, who was born on 12 August 1936.

At first she was allowed to sing in the background, for example with Jim, Jonny and Jonas. With Mutti, you mustn't cry, she was a surprise success as a soloist, who at the same time determined her thematically. The text by Peter Mösser, in which the tears of the mother are lamented at the daughter's wedding, was - also in the American original Mama Don't Cry At My Wedding - even at this time recognizable as kitsch. Basically, she remained the well-behaved adapted one who suggested to the audience the dream of a small house and promised: One day the prince of your dreams will come to you. Margot Eskens and Polydor went one better when they celebrated the singer's marriage with the release of a single: "Our sounding marriage announcement, by, for and with Margot Eskens". Then her fiancé Karl-Heinz Münchow asks: "Do you want to stay with me forever?" And Margot sings: "I only want to be with you, for I love you so much. That was 1959.

The partnerships she entered into in the studio, whether with René Carol or Silvio Francesco, did not make dreams come true. Even with Udo Jürgens she was paired by Kurt Feltz for Drei Takte Musik im Herzen. Her husband Karl-Heinz Münchow, a self-made man who had earned a fortune in the chemical industry, also managed her as a music producer in the 1960s. He was friends with Feltz, where he had observed in Cologne how his wife was produced. He had the idea that he could do it himself, making his hobby music a second profession. His first piece Kiss Me Quick ("No matter what the other boys think, you should just give your

self to me alone"), which he wrote himself and produced with Udo Jürgens in 1963, confirmed that the Feltz method also worked when others used it. Especially if the original had already been a hit with Elvis Presley. Münchow, however, did not save his wife from the tastelessness with Only one mother knows where Honolulu lies the crown.

Margot Eskens Cindy, Oh Cindy
Read more at: https://www.bear-family.com/eskens-margot-cindy-oh-cindy.html
Copyright © Bear Family Records

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Tracklist
Eskens, Margot - Ein Herz, das kann man nicht kaufen CD 1
01 Ein Herz, das kann man nicht kaufen
02 Die erste Liebe (& DIE LEONARDOS)
03 So wunderbar, so fabelhaft
04 Komm, oh komm zurück (Die Glocken von Paris)
05 Weisser Flieder, roter Mohn
06 Santa Maria Del Mar
07 Weswegen
08 Du kommst von weit, weit her
09 Wenn du heimkommst
10 Andalusische Märchen
11 Ich fahr' mit Pferd und Wagen
12 Schenk' mir doch ein kleines Souvenir
13 Regentropfen
14 Fremder Domino
15 Musikanten der Liebe (& WILL BRANDES)
16 Jeder braucht jeden Tag Liebe
17 Ich möcht' mit dir verheiratet..(& BRANDES)
18 Ich möchte fliegen
19 Von Tahiti nach Shaghai
20 Ich bin wie ein Schiff
21 Weisse Orchideen
22 Marcel
23 Ein schöner Tag
24 Zum grossen Glück
25 Die blaue Stunde
26 Kinderwunsch
27 Ganz still wird uns're Welt
28 Weisse Weihnacht
29 ...denn es ist Weihnachtszeit