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Fats Domino The Imperial Singles 1950-1962 (4-CD)

The Imperial Singles 1950-1962 (4-CD)
 
 
 

catalog number: CDRGM107

weight in Kg 0,390

 

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Fats Domino: The Imperial Singles 1950-1962 (4-CD)

(2014/Real Gone) 124 tracks
 

Songs

Fats Domino - The Imperial Singles 1950-1962 (4-CD) Medium 1
1: The Fat Man
2: Detroit City Blues
3: Boogie Woogie Baby
4: Little Bee
5: She S My Baby
6: Hide Away Blues
7: Hey! La Bas Boogie
8: Brand New Baby
9: Everynight About This Time
10: Korea Blues
11: Tired Of Crying
12: What S The Matter Baby
13: Don T Lie To Me
14: Sometimes I Wonder
15: Right From Wrong
16: No No Baby
17: Rockin Chair
18: Careless Love
19: You Know I Miss You
20: I Ll Be Gone
21: Goin Home
22: Reeling And Rocking
23: Poor Poor Me
24: Trust In Me
25: How Long
26: Dreaming
27: Nobody Loves Me
28: Cheatin
29: Going To The River
30: Mardi Gras In New Orleans
31: Please Don T Leave Me
32: The Girl I Love
Fats Domino - The Imperial Singles 1950-1962 (4-CD) Medium 2
1: Rose Mary  
2: You Said You Loved Me  
3: Something S Wrong  
4: Don T Leave Me This Way  
5: You Done Me Wrong  
6: Little School Girl  
7: Where Did You Stay  
8: Baby Please  
9: You Can Pack Your Suitcase  
10: I Lived My Life  
11: Love Me  
12: Don T You Hear Me Calling You  
13: Thinking Of You  
14: I Know  
15: Don T You Know  
16: Helping Hand  
17: Ain T That A Shame  
18: La La  
19: All By Myself  
20: Troubles Of My Own  
21: Poor Me  
22: I Can T Go On (Rosalie)  
23: Bo Weevil  
24: Don T Blame It On Me  
25: I M In Love Again  
26: My Blue Heaven  
27: When My Dremboat Comes Home  
28: So Long  
29: Blueberry Hill  
30: Honey Chile  
Fats Domino - The Imperial Singles 1950-1962 (4-CD) Medium 3
1: Blue Monday  
2: What S The Reason I M Not Pleasing  
3: I M Walkin  
4: I M In The Mood For Love  
5: Valley Of Tears  
6: It S You I Love  
7: When I See You  
8: What Will I Tell My Heart  
9: Wait And See  
10: I Still Love You  
11: The Big Beat  
12: I Want You To Know  
13: Yes My Darling  
14: Don T You Know I Love You  
15: Sick And Tired  
16: No No (The River)  
17: Little Mary  
18: Prisoner S Song  
19: Young School Girl  
20: It Must Be Love  
21: Whole Lotta Loving  
22: Coquette  
23: Telling Lies  
24: When The Saints Go Marching In  
25: I M Ready  
26: Margie  
27: I Want To Walk You Home  
28: I M Gonna Be A Wheel Someday  
29: Be My Guest  
30: I Ve Been Around  
31: Country Boy  
32: If You Need Me  
Fats Domino - The Imperial Singles 1950-1962 (4-CD) Medium 4
1: Tell Me That You Love Me  
2: Before I Grow Old  
3: Walking To New Orleans  
4: Don T Come Knockin  
5: Three Nights A Week  
6: Put Your Arms Around Me Honey  
7: My Girl Josephine  
8: Natural Born Lover  
9: What A Price  
10: Ain T That Just A Woman  
11: Shu Rah  
12: Fell In Love On Monday  
13: It Keeps Rainin  
14: I Just Cry  
15: Let The Four Winds Blow  
16: Good Hearted Man  
17: What A Party  
18: Rockin Bicycle  
19: Jambalaya  
20: I Hear You Knocking  
21: You Win Again  
22: Ida Jane  
23: My Real Name  
24: My Heart Is Bleeding ()  
25: Dance With Me Mr Domino  
26: Nothing New (Is The Same Old Thing)  
27: Did You Ever See A Dream Walking  
28: Stop The Clock  
29: Hands Across The Table  
30: Won T You Come On Back  

 

Artikeleigenschaften von Fats Domino: The Imperial Singles 1950-1962 (4-CD)

  • Interpret: Fats Domino

  • Albumtitel: The Imperial Singles 1950-1962 (4-CD)

  • Format CD
  • Genre Rock 'n' Roll

  • Title The Imperial Singles 1950-1962 (4-CD)
  • Release date 2014
  • Label Real Gone Music

  • SubGenre Rock - Rock'n'Roll

  • EAN: 5036408160225

  • weight in Kg 0.390
 
 

Artist description "Domino, Fats"

Fats Domino Obituary


Like the great Louis Armstrong before him, Fats Domino was a perfect ambassador for New Orleans music.

Even at the height of the mid-‘50s rock and roll explosion, when Elvis and Chuck Berry were scaring the bejeezus out of parents with their primal rhythms and suggestive stage antics, Fats was a cherubic presence when seated behind a piano with a sweet smile on his face and a fat horn section by his side. No wonder he was one of the era’s most prolific and universally accepted hitmakers; with trumpeter/bandleader Dave Bartholomew as his co-writer and producer, Domino unleashed an incredible run of hits on Imperial Records that were irresistible to teenagers and their parents alike. Fats always did the Crescent City proud.

Domino, who died at the age of 89 in his beloved home in Harvey, Jefferson Parrish in New Orleans, Louisiana, at night on the 24th of October 2017, had been ailing in recent years after surviving the wrath of Hurricane Katrina in 2005 (he had to be rescued from his Ninth Ward home, which was utterly devastated). But prior to his health woes, Fats never stopped rocking like it was 1957 all over again, always fronting a rollicking band soaked in second-line rhythms and jabbing horns. Domino never seemed like he was just going through the motions; whenever he launched into his raucous set closer When The Saints Go Marching In, it was instant Mardi Gras time.

Antoine Domino

Born February 26, 1928 in the Big Easy, Antoine Domino, Jr. was a shy lad of Creole descent who spoke French before he learned English. Influenced by boogie piano specialists Albert Ammons (whose Swanee River Boogie became one of Domino’s enduring showpieces), Meade Lux Lewis, and Amos Milburn, Fats was given his nickname by bassist Billy Diamond, whose band he played with at the Hideaway Club beginning in 1946. Domino was making a name in his own right by ’49, when he met Bartholomew, who brought Imperial owner Lew Chudd to the Hideaway to check out the promising newcomer. The end result was a record contract that would make immense profits for the label and Domino as it stretched for more than a decade. 

The Fat Man, a cleaned-up adaptation of Champion Jack Dupree’s Junker Blues, was Domino’s Imperial debut and just missed the top of the R&B hit parade in early 1950. Fats achieved R&B stardom long before rock and roll reared its impudent head, scoring major hits with Every Night About This Time (1950), Goin’ Home, Going To The River (both 1952), and Please Don’t Leave Me and Something’s Wrong (both 1953). Everything changed when Domino released the stop-time rocker Ain’t It A Shame in 1955.

Typically a Domino/Bartholomew collaboration, it not only paced the R&B charts but went Top Ten pop despite a Pat Boone cover. Rock and roll was exploding all over, and Fats was one of the rowdy music’s first true heroes. Of course, having a crack band at his behest whenever he ventured into Cosimo Matassa’s studio in the French Quarter sure didn’t hurt. Herbert Hardesty, who was prominently featured with Domino’s band for decades, took the lion’s share of the sax solos on Domino’s hits, with studio stalwart Lee Allen handling the rest.

Domino was a rock and roll superstar

For the rest of the decade, Domino was a rock and roll superstar, thanks to blockbusters that included I’m In Love Again, When My Dreamboat Comes Home, Blueberry Hill (his top seller of all), and Blue Monday in 1956, I’m Walkin’ the next year, Whole Lotta Loving in ’58, I’m Ready, I Want To Walk You Home, and Be My Guest in ’59, and the plaintive Walking To New Orleans and My Girl Josephine at the beginning of the new decade. Domino memorably guested in the rock and roll flicks ‘The Girl Can’t Help It,’ ‘Jamboree,’ and ‘The Big Beat,’ headlined countless package shows that barnstormed the U.S. and helped knock down segregation barriers, starred on network TV programs, and remained singularly free of scandal as he loyally doted on his huge family back home when he wasn’t on the road.

After an amazing run on Imperial (all of his masters for the label are available on Bear Family’s eight-CD boxed set ‘Out of New Orleans’), Domino moved over to the ABC-Paramount label in 1963. But by then, the glory years of New Orleans rock and roll were long in the history books. Domino made more platters for Mercury and Reprise, often recording away from his home base, and toured far and wide as the oldies circuit welcomed him with open arms. Eventually Domino decided to retire from the road altogether, limiting his performances to venues that were close to home.

New Orleans was filled with great performers during the ‘50s, but there was only one Fat Man. Monumentally influential to a generation or two of Louisiana musicians (especially the pioneers of the swamp pop movement), he was the very definition of New Orleans rock and roll—as all the gold records adorning his wall during the pre-Katrina days so eloquently attested.

 --Bill Dahl

Fats Domino Fats Domino - Fats Rocks

Read more at: https://www.bear-family.com/domino-fats-fats-domino-fats-rocks.html
Copyright © Bear Family Records

 
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