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Fats Domino Fats Is Back - Sweet Patootie - The Complete Reprise Recordings (CD, Ltd.)

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(2004/Rhino) 29 Tracks - Complete Fats Domino on Reprise, 1968-1971! Limited and numbered edition! more

Fats Domino: Fats Is Back - Sweet Patootie - The Complete Reprise Recordings (CD, Ltd.)

(2004/Rhino) 29 Tracks - Complete Fats Domino on Reprise, 1968-1971! Limited and numbered edition!

Article properties: Fats Domino: Fats Is Back - Sweet Patootie - The Complete Reprise Recordings (CD, Ltd.)

  • Interpret: Fats Domino

  • Album titlle: Fats Is Back - Sweet Patootie - The Complete Reprise Recordings (CD, Ltd.)

  • Label RHINO HANDMADE

  • Genre Rock'n'Roll

  • Edition 2 Numbered Edition
  • Artikelart CD

  • EAN: 0603497788026

  • weight in Kg 0.2
Domino, Fats - Fats Is Back - Sweet Patootie - The Complete Reprise Recordings (CD, Ltd.) CD 1
01 My Old Friends Fats Domino
02 I'm Ready Fats Domino
03 So Swell When You're Well Fats Domino
04 Wait Till It Happens To You Fats Domino
05 I Know Fats Domino
06 Lady Madonna Fats Domino
07 Honest Papas Love Their Mamas Better Fats Domino
08 Make Me Belong To You Fats Domino
09 One For The Highway Fats Domino
10 Lovely Rita Fats Domino
11 One More Song For You Fats Domino
12 Everybody's Got Something To Hide Except... Fats Domino
13 Have You See My Baby? Fats Domino
14 Sweet Patootie Fats Domino
15 New Orleans Ain't The Same Fats Domino
16 Can't Chase A Dream Forever Fats Domino
17 Blues So Bad Fats Domino
18 I'm Going To Cross That River Fats Domino
19 Big Mouth Fats Domino
20 It's A Sin To Tell A Lie Fats Domino
21 Wait Till It Happens To You Fats Domino
22 I'm Going To Help A Friend Fats Domino
23 The Lady In Black Fats Domino
24 Another Mule Fats Domino
25 When You're Smiling Fats Domino
26 These Old Shoes Fats Domino
27 Lawdy Miss Clawdy Fats Domino
28 Work My Way Up Steady Fats Domino
29 Help Me Fats Domino
Fats Domino Obituary Like the great Louis Armstrong before him, Fats Domino was a perfect... more
"Fats Domino"

Fats Domino Obituary


Like the great Louis Armstrong before him, Fats Domino was a perfect ambassador for New Orleans music.

Even at the height of the mid-‘50s rock and roll explosion, when Elvis and Chuck Berry were scaring the bejeezus out of parents with their primal rhythms and suggestive stage antics, Fats was a cherubic presence when seated behind a piano with a sweet smile on his face and a fat horn section by his side. No wonder he was one of the era’s most prolific and universally accepted hitmakers; with trumpeter/bandleader Dave Bartholomew as his co-writer and producer, Domino unleashed an incredible run of hits on Imperial Records that were irresistible to teenagers and their parents alike. Fats always did the Crescent City proud.

Domino, who died at the age of 89 in his beloved home in Harvey, Jefferson Parrish in New Orleans, Louisiana, at night on the 24th of October 2017, had been ailing in recent years after surviving the wrath of Hurricane Katrina in 2005 (he had to be rescued from his Ninth Ward home, which was utterly devastated). But prior to his hea

lth woes, Fats never stopped rocking like it was 1957 all over again, always fronting a rollicking band soaked in second-line rhythms and jabbing horns. Domino never seemed like he was just going through the motions; whenever he launched into his raucous set closer When The Saints Go Marching In, it was instant Mardi Gras time.

Antoine Domino

Born February 26, 1928 in the Big Easy, Antoine Domino, Jr. was a shy lad of Creole descent who spoke French before he learned English. Influenced by boogie piano specialists Albert Ammons (whose Swanee River Boogie became one of Domino’s enduring showpieces), Meade Lux Lewis, and Amos Milburn, Fats was given his nickname by bassist Billy Diamond, whose band he played with at the Hideaway Club beginning in 1946. Domino was making a name in his own right by ’49, when he met Bartholomew, who brought Imperial owner Lew Chudd to the Hideaway to check out the promising newcomer. The end result was a record contract that would make immense profits for the label and Domino as it stretched for more than a decade. 


The Fat Man
, a cleaned-up adaptation of Champion Jack Dupree’s Junker Blues, was Domino’s Imperial debut and just missed the top of the R&B hit parade in early 1950. Fats achieved R&B stardom long before rock and roll reared its impudent head, scoring major hits with Every Night About This Time (1950), Goin’ Home, Going To The River (both 1952), and Please Don’t Leave Me and Something’s Wrong (both 1953). Everything changed when Domino released the stop-time rocker Ain’t It A Shame in 1955.

Typically a Domino/Bartholomew collaboration, it not only paced the R&B charts but went Top Ten pop despite a Pat Boone cover. Rock and roll was exploding all over, and Fats was one of the rowdy music’s first true heroes. Of course, having a crack band at his behest whenever he ventured into Cosimo Matassa’s studio in the French Quarter sure didn’t hurt. Herbert Hardesty, who was prominently featured with Domino’s band for decades, took the lion’s share of the sax solos on Domino’s hits, with studio stalwart Lee Allen handling the rest.

Domino was a rock and roll superstar

For the rest of the decade, Domino was a rock and roll superstar, thanks to blockbusters that included I’m In Love Again, When My Dreamboat Comes Home, Blueberry Hill (his top seller of all), and Blue Monday in 1956, I’m Walkin’ the next year, Whole Lotta Loving in ’58, I’m Ready, I Want To Walk You Home, and Be My Guest in ’59, and the plaintive Walking To New Orleans and My Girl Josephine at the beginning of the new decade. Domino memorably guested in the rock and roll flicks ‘The Girl Can’t Help It,’ ‘Jamboree,’ and ‘The Big Beat,’ headlined countless package shows that barnstormed the U.S. and helped knock down segregation barriers, starred on network TV programs, and remained singularly free of scandal as he loyally doted on his huge family back home when he wasn’t on the road.

After an amazing run on Imperial (all of his masters for the label are available on Bear Family’s eight-CD boxed set ‘Out of New Orleans’), Domino moved over to the ABC-Paramount label in 1963. But by then, the glory years of New Orleans rock and roll were long in the history books. Domino made more platters for Mercury and Reprise, often recording away from his home base, and toured far and wide as the oldies circuit welcomed him with open arms. Eventually Domino decided to retire from the road altogether, limiting his performances to venues that were close to home.

New Orleans was filled with great performers during the ‘50s, but there was only one Fat Man. Monumentally influential to a generation or two of Louisiana musicians (especially the pioneers of the swamp pop movement), he was the very definition of New Orleans rock and roll—as all the gold records adorning his wall during the pre-Katrina days so eloquently attested.

 --Bill Dahl

Fats Domino Fats Domino - Fats Rocks

Read more at: https://www.bear-family.com/domino-fats-fats-domino-fats-rocks.html
Copyright © Bear Family Records

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Tracklist
Domino, Fats - Fats Is Back - Sweet Patootie - The Complete Reprise Recordings (CD, Ltd.) CD 1
01 My Old Friends
02 I'm Ready
03 So Swell When You're Well
04 Wait Till It Happens To You
05 I Know
06 Lady Madonna
07 Honest Papas Love Their Mamas Better
08 Make Me Belong To You
09 One For The Highway
10 Lovely Rita
11 One More Song For You
12 Everybody's Got Something To Hide Except...
13 Have You See My Baby?
14 Sweet Patootie
15 New Orleans Ain't The Same
16 Can't Chase A Dream Forever
17 Blues So Bad
18 I'm Going To Cross That River
19 Big Mouth
20 It's A Sin To Tell A Lie
21 Wait Till It Happens To You
22 I'm Going To Help A Friend
23 The Lady In Black
24 Another Mule
25 When You're Smiling
26 These Old Shoes
27 Lawdy Miss Clawdy
28 Work My Way Up Steady
29 Help Me