(MCA) 10 tracks - Re-issue of the original 1970 'Chess' LP
Daily Planet It's been about three years since Bo Diddley loped into a studio. pulled out his stringed axe. and proceeded to wail. It probably took three years to muster up the mu-sical energy to produce 'Bo Diddley: The Black Gladiator.' but to Bo's fans. it was well worth the wait. For herein are ten tunes which could stand alone as smash hits. but when together paint a picture of one of the most phenomenal talents in the music industry. As a matter of fact, Bo's talents can be heard in many of today's 'with it' groups who must admit that their main inspiration came from Bo -'The Originator.'
To the uninitiated, this album could serve as a sam-pler of Bo's wide talent, amply displayed on an equally wide range of top choice material. If your blues must come from the deepest reaches of Bo's own patented gut-bucket, then there's 'Power House,' 'Shut Up. Woman,' (a great 'talking' blues tune) and a song which defies the gutbucket tag only. 'Black Soul.' If your taste leans towards a slightly more up-tempo offering, then 'Hot Buttered Blues' and 'I've Got a Feeling' will fit neatly into your bag. If, like me, you get a kick collecting Bo's 'personal' tunes, then you'll flip behind 'You, Bo Diddley.'
Then, if you laugh until your stomach hurts, you'd better ingest some aspirin before you pay too much attention to 'I Don't Like You,' in which Bo uses his best operatic voice to play the dozens with his irate woman. I predict that Bo's 'Funky Fly' will not only be a smash in its own right, but will probably spawn a nation-al dance craze as well. And what manner of man is Bo Diddley? Firstly, he was born Elias McDaniel in Macomb, Miss. Originally he studied classics on the violin. When he reached the ripe old age of 17, he switched to guitar. In June, 1955. he and two sidemen auditioned for Phil and the late Leonard Chess. Pleasantly enough, the rest is history. History lesson one was his first record — 'Bo Diddley.' a supersmash. Others followed: 'Hey, Bo Diddley.' 'Road Runner,' 'Bo Diddley's A Gunslinger,' 'You Can't Judge a Book By Its Cover,' and 'Say Man.' More hits are on the way. In fact, they're closer than you think. They're in the album you're holding. DAVE POTTER
Article properties: Bo Diddley: The Black Gladiator (LP)
He may not have invented the shave-and-a-haircut rhythm synonymous with his name. But Bo Diddley and his beat were a primary factor in the development of rock 'n' roll. Bo’s seminal recordings for Chicago’s Checker Records came rooted in blues and slathered in savage tremolo-enriched guitar, reverberating with a tribal thunder harking back to African tradition.
"I had no influences when I first started," claimed the late Diddley. "I didn’t have nobody to copy after, because I couldn’t play blues, and I could not play like Muddy Waters. I wanted to, but I just couldn’t. I was cut out to be what I am."
He was born Ellas Bates on December 30, 1928 in McComb, Mississippi. "Chicago is like home to me," he said. "I don’t know too much about Mississippi." Young Ellas was reared by his mother’s first cousin Gussie McDaniel, accounting for his commonly cited surname. In 1934, they headed for Chicago’s South Side. When he was 12, his sister bought him a guitar for Christmas, and his future was assured.
Ellas formed his first band, the Hipsters, in 1946. "I used to play on the street corners," he said. "We had a washtub and a guitar, and I was the dude with the guitar. I had a fellow named Roosevelt Jackson that played the washtub." They soon added guitarist Jody Williams. "We all kind of grew up together," said Bo. "I was a little bit older than all the rest of ‘em." Harpist Billy Boy Arnold joined the group in 1951. "I met Bo Diddley when I was 15 years old," says Arnold. "We were playing together on the street corners." Maracas shaker Jerome Green came in along the way. In early 1955, the guitarist worked up two songs to serve as a demo. "Bo had a home recorder, and we made a little dub," says Arnold. "We wound up at Chess, and Chess was where it happened."
"I just walked in there one day, man, and just asked ‘em if they was makin’ records," said Bo. "They told me, ‘Yeah, what did I want?’ I said I wanted to make a record. So they made one on me." Phil Chess was so impressed that he asked Bo back the next day to audition for brother Leonard. "He had this particular style of his own," said the late Willie Dixon. "A new style was a great thing. We was often wondering whether it would go over or not. But he had that thing ‘I’m A Man.’"
"About three or four days later," says Arnold, "we were in Universal Studios recording the smash hit ‘Bo Diddley’ and ‘I’m A Man.’" That was on March 2, 1955. Bo, Billy Boy, and Jerome were joined by drummer Clifton James and bassist Dixon. Bo had reworked his ribald Uncle John into Bo Diddley, which would prove an R&B chart-topper. The swaggering blues flip I’m A Man was a hit in its own right.
"Muddy was the basic foundation for that song," Bo admitted. "It was actually saying something back, you dig?"
"We thought the record was going to come out as Ellas McDaniel & the Hipsters, ‘cause that was our name," says Arnold. "When the record came out two weeks later, I was surprised. It was ‘Bo Diddley’ by Bo Diddley." It’s a safe bet that Bo’s dangerous Africanized beat would have never passed muster with a major label, at least in the pure, raw form it appears in here; it took visionaries like the Chess brothers to recognize his genius. Muddy took immediate notice, cooking up Manish Boy and enjoying his own Chess hit. "Bo Diddley, he was tracking me down with my beat when he made ‘I’m A Man.’ That’s from ‘Hoochie Coochie Man.’ Then I got on it with ‘Manish Boy’ and just drove him out of my way," said Muddy. With Eric Clapton on guitar, The Yardbirds cut a driving ‘64 version.
Though Billy Boy claims Diddley’s stage moniker stemmed from a comic they saw at the Indiana Theater, Bo explained its murky origins this way: "Ellas McDaniel is not commercial. But somebody named Bo Diddley—everybody says, ‘What? Who in the heck would be named that?’ But the kids named me that when I was going to grammar school here. Don’t ask me what it means, ‘cause I don’t know!"