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Waylon Jennings Live At The US Festival 1983

Live At The US Festival 1983
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  • CDSHFA13113
  • 0.1
(2012/SHOUT) 22 tracks - available on DVD! (DVD SHFA 12928) more

Waylon Jennings: Live At The US Festival 1983

(2012/SHOUT) 22 tracks - available on DVD! (DVD SHFA 12928)

Article properties: Waylon Jennings: Live At The US Festival 1983

  • Interpret: Waylon Jennings

  • Album titlle: Live At The US Festival 1983

  • Label SHOUT

  • Genre Country

  • Year of publication 2012
  • Artikelart CD

  • EAN: 0826663131130

  • weight in Kg 0.1
Jennings, Waylon - Live At The US Festival 1983 CD 1
01 Don't You Think This Outlaw Bit's Done Got... Waylon Jennings
02 Clyde Waylon Jennings
03 Amanda Waylon Jennings
04 Just To Satisfy You Waylon Jennings
05 Only Daddy That'll Walk The Line Waylon Jennings
06 Lucille (You Won't Do Your Daddy's Will) Waylon Jennings
07 I've Always Been Crazy Waylon Jennings
08 Breakin' Down Waylon Jennings
09 Lonesome, On'ry And Mean Waylon Jennings
10 Jack-A-Diamonds Waylon Jennings
11 Theme From The Dukes Of Hazzard(Good Ol'Boys) Waylon Jennings
12 Storms Never Last Waylon Jennings
13 Are You Sure Hank Done It This Way Waylon Jennings
14 Rainy Day Woman Waylon Jennings
15 Women Do Know How To Carry On Waylon Jennings
16 I Ain't Livin' Long Like This Waylon Jennings
17 Good Hearted Woman Waylon Jennings
18 Honky Tonk Heroes Waylon Jennings
19 Luckenbach, Texas(Back To The Basics Of Love) Waylon Jennings
20 Mental Revenge Waylon Jennings
21 Mammas Don't Let Your Babies Grow Up To Be... Waylon Jennings
22 I Can Get Off On You Waylon Jennings
Waylon Jennings The Jennings family was like many in West Texas, subsistence farmers and... more
"Waylon Jennings"

Waylon Jennings

The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called
The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called That'll Be The Day.
Excerpt from the book BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Read more at: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

Auszug aus dem Buch BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Lesen Sie mehr unter: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

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