Lightnin' Hopkins Lightnin' Hopkins
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- catalog number: CDBOB3
- weight in Kg 0.1
Lightnin' Hopkins: Lightnin' Hopkins
Article properties: Lightnin' Hopkins: Lightnin' Hopkins
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Interpret: Lightnin' Hopkins
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Album titlle: Lightnin' Hopkins
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Label WOLF
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Genre Blues
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Artikelart CD
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EAN: 0799582200327
- weight in Kg 0.1
| Hopkins, Lightnin' - Lightnin' Hopkins CD 1 | ||||
|---|---|---|---|---|
| 01 | Short Haired Woman | Lightnin' Hopkins | ||
| 02 | Can't Get That Woman Off My Mind | Lightnin' Hopkins | ||
| 03 | Lightning Blues | Lightnin' Hopkins | ||
| 04 | Whiskey Headed Woman (Liquor Drinkin' Woman) | Lightnin' Hopkins | ||
| 05 | Lonesome Home (Ain't It Lonesome) | Lightnin' Hopkins | ||
| 06 | Zolo Go (Organ Blues) | Lightnin' Hopkins | ||
| 07 | Henny Penny Blues | Lightnin' Hopkins | ||
| 08 | Jazz Blues | Lightnin' Hopkins | ||
| 09 | Beggin' You To Stay (Someday Baby) | Lightnin' Hopkins | ||
| 10 | Don't Keep My Baby Long | Lightnin' Hopkins | ||
| 11 | Jake Head Boogie | Lightnin' Hopkins | ||
| 12 | Tell Me (Pretty Baby) | Lightnin' Hopkins | ||
| 13 | Give Me Back That Wig (Wig Wearing Woman) | Lightnin' Hopkins | ||
| 14 | Santa Fe Blues | Lightnin' Hopkins | ||
| 15 | New York Boogie | Lightnin' Hopkins | ||
| 16 | Late In The Evening | Lightnin' Hopkins | ||
| 17 | Walkin' The Streets | Lightnin' Hopkins | ||
| 18 | Mussy Haired Woman | Lightnin' Hopkins | ||
| 19 | The Dirty Dozens | Lightnin' Hopkins | ||
| 20 | Baby! | Lightnin' Hopkins | ||
| 21 | I Hear You Calling | Lightnin' Hopkins | ||
| 22 | Rock Me Baby | Lightnin' Hopkins | ||
| 23 | Back Door Friend | Lightnin' Hopkins | ||
| 24 | Trouble In Mind | Lightnin' Hopkins | ||
| 25 | What'd I Say | Lightnin' Hopkins | ||
Lightnin' Hopkins
Lightnin' Hopkins is many people's idea of what a blues-singer should be : an endlessly inventive folk-poet, whose imagination is touched by almost everything but whose sing-ing and playing express nothing but the blues. And this, despite nearly 30 years of performing and recording, and all the pressures that might have made him something else, he unswervingly has been. But he has not, outside his own com-munity, been very obviously influential on either American or British rock; his blues, sung by others, are not self-sustaining, as many of the Chicagoans' are.
His early recordings, in the Forties and Fifties, were characterised by thunderous amplification - as any number of reissues demonstrate - but his first ventures into a different market, with acoustic guitar, compensate in subtlety for what they lose in force (e.g. the Folkways and some Bluesville albums). Later sessions placed him with accompanying groups, rarely successfully, though his album for Jewel is an exception.
Through all these records he balances slow blues with vivid boogies, occasionally leaving his guitar to essay an idiosyncratic piano style. Born in Centerville, Texas, in 1912, he spent most of his life in Houston, and his refusal to extract himself from that milieu is the chief reason for his undiminished authenticity as an observer, through the blues, of black life.
PLUG IT IN! TURN IT UP!
Electric Blues 1939-2005. - The Definitive Collection!
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