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In Session
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(1983 'Stax') (63:55/11) Im Allgemeinen halten Sessions nicht, was die mitwirkenden... more

Albert King & Stevie Ray Vaughan: In Session

(1983 'Stax') (63:55/11) Im Allgemeinen halten Sessions nicht, was die mitwirkenden Namen versprechen. Dieses Album ist eine löbliche Ausnahme. Albert King respektiert 'Little Stevie', der am Beginn seiner großartigen, kurzen Karriere steht. Doch Albert hält die Fäden in der Hand, bestreitet bis auf einen Titel alle Vocals und bestimmt die Songs. Den Großteil der Soli überläßt er jedoch einem spielfreudigen Stevie Ray. Insgesamt sind diese Aufnahmen aus einem kanadischen Fernsehstudio (Qualität ist gut) ein Stück hörenswerte Bluesgeschichte, bringen sie zwei Musiker zusammen, von denen der eine am Ende seiner Karriere steht und der andere im Begriff ist, den Durchbruch zu schaffen. Klasse / this session features two very different blues personalities, the highly influential king of blues guitar, and a young rising star. The results are surprisingly good, thanks to the father role King's playing. Stevie Ray plays most of the solos, the music belongs to the King, though. Recording, made for a Canadian tv station, is fine. Nice. ALBERT KING - gtr/voc, STEVIE RAY VAUGHAN -. gtr/voc, TONY LLORENS - kbds, GUS THORNTON - bass, MICHAEL LLORENS - drums

Article properties: Albert King & Stevie Ray Vaughan: In Session

King, Albert - In Session CD 1
01 Call It Stormy Monday
02 Old Times
03 Pride And Joy
04 Ask Me No Questions
05 Pep Talk
06 Blues At Sunrise
07 Turn It Over
08 Overall Junction
09 Match Box Blues
10 Who Is Stevie?
11 Don't Lie To Me
Albert King I'll Play The Blues For You Thanks in large part to Crosscut Saw and Born... more
"Albert King & Stevie Ray Vaughan"

Albert King

I'll Play The Blues For You

Thanks in large part to Crosscut Saw and Born Under A Bad Sign, Albert King emerged as a powerful "new" blues guitarist in 1967, even though he'd been recording since ‘53 and had made plenty of great records for the St. Louis-based Bobbin label long before he signed with Stax. Young white rock fans were just picking up on his mile-wide upside-down string-bending and honeyed vocals as he shared bills with their long-haired rock idols, and luminaries such as Eric Clapton were incorporating King's trademark riffs into their own styles.

King posted two lesser hits, Cold Feet and (I Love) Lucy, in 1968 (the latter a tribute to his distinctive Flying V guitar), and he managed more chart appearances with the grinding Can't You See What You're Doing To Me in '70, an ironic Everybody Wants To Go To Heaven in '71, and 1972's pleading Angel Of Mercy. But none came close to the impact of I'll Play The Blues For You. This would prove a lasting signature song even though it was a major departure for the stevedore-sized southpaw. Composer Jerry Beach built in a lot of extra chords, and the overall feel is mid-tempo and mellow, especially when Albert hits on a young lady with a seductive monolog midway through (it's hard to tell whether he's successful).

"I was in the studio, searching for a tune to play," said the late King. "They came up with this ‘I'll Play The Blues For You.' They already had the tune there. It was sent in by another guy. So we just got it together." He was backed by the reformed Bar-Kays, back in action after their ranks were decimated by the tragic 1967 plane crash that also killed Otis Redding. Only bassist James Alexander and trumpeter Ben Cauley remained from the ill-fated original lineup; guitarist Michael Toles, drummer Willie Hall, and keyboardist Allen Jones, the song's co-producer with Stax recording engineer Henry Bush, now filled out the rhythm section.

I'll Play The Blues For You rose to #31 R&B in the summer of '72, but that relatively unimpressive chart position doesn't fully indicate its importance in King's vast musical pantheon. His touring bus sported that song title on its side, and rightly so because that's exactly what he did: play the blues for his fans. To the end—he died December 21, 1992 in Memphis, where this song and so many more of his classics were cut for Stax—King knew the music that he'd done so much to advance would endure.

 

"The blues will be here as long as the world stands," Albert confidently predicted. "Won't be no change in that."

Various - Electric Blues - Plug It In! Turn It Up! Vol.4 Electric Blues 1970 - 2005 (english)
Read more at: https://www.bear-family.de/various-electric-blues-plug-it-in-turn-it-up-vol.4-electric-blues-1970-2005-english.html
Copyright © Bear Family Records

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