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Doris Day Que Sera, Sera (5-CD)

Que Sera, Sera (5-CD)
 
 
 

catalog number: BCD15797

weight in Kg 2,400

 

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Doris Day: Que Sera, Sera (5-CD)

5-CD box (LP-size) with 104-page hardcover book, 128 tracks. Playing time approx. 372 mns.

This boxed set is the third in a series of collections from Bear Family which chronicle the entirety of Doris Day's recorded work as a solo artist for Columbia Records. By 1956 the rock and roll revolution had profoundly changed the popular music scene in America, but this same year also brought Doris Day the biggest hit of her career, Whatever Will Be, Will Be (Que Sera, Sera). Throughout the late `50s she continued her winning ways, working closely with legendary producer Mitch Miller, who in 1958 urged Doris to record 'Everybody Loves A Lover', another huge commercial success.

During this period Day remained a major motion picture star, and this collection contains selections from such favorite films as 1957's 'The Pajama Game' and 'Teacher's Pet' (1958). By the end of the decade, Doris Day's work in the classic farce 'Pillow Talk' helped to make her one of the biggest box office attractions in the world. Doris Day, Mitch Miller, and arranger Frank DeVol were all interviewed in the preparation of this comprehensive boxed set. Every note of all the wonderful music Miss Day made between 1956 and 1959, has been collected here for your listening pleasure. This set includes 128 songs on 5 CDs, a 96-page 12/12 hardcover book with a biography by Joseph Laredo & a discography by Nigel Burlinson, Larry Zwisohn & Richard Weize, with many rare pictures from the collection of Donald Chang.

5-CD box (LP-size) with 104-page hardcover book, 128 tracks. Playing time approx. 372 mns


 

Songs

Day, Doris - Que Sera, Sera (5-CD) Box set 1
1: Somebody Somewhere
2: We'll Love Again
3: Julie
4: Love In A Home
5: Gone With The Wind
6: The Song Is You
7: Don't Take Your Love From Me
8: The Gypsy In My Soul
9: Autumn Leaves
10: I Remember You
11: Hello, My Lover, Goodbye
12: Day By Day
13: But Beautiful
14: There Will Never Be Another You
15: But Not For Me
16: I Hadn't Anyone Till You
17: Today Will Be Yesterday Tomorrow
18: The Party's Over
19: Nothing In The World
20: Whad'ja Put In That Kiss
21: The Man Who Invented Love
22: Twelve O'Clock Tonight
23: Rickety Rackety Rendevous
24: Through The Eyes Of Love
Day, Doris - Que Sera, Sera (5-CD) Box set 2
1: Once A Year Day!
2: Small Talk
3: There Once Was A Man
4: Seven And A Half Cents
5: Under A Blanket Of Blue
6: I See Your Face Before Me
7: Moon Song
8: Dream A Little Dream Of Me
9: You Do Something To Me
10: Wrap Your Troubles In Dreams
11: Close Your Eyes
12: Stars Fell On Alabama
13: The Night We Called It A Day
14: Soft As The Starlight
15: The Lamp Is Low
16: Moonglow
17: Cheek To Cheek
18: Nice Work If You Can Get It
19: I've Got My Love To Keep Me Warm
20: Let's Face The Music And Dance
21: Wrap Your Troubles In Dreams (alt)
Day, Doris - Que Sera, Sera (5-CD) Box set 3
1: It Might As Well Be Spring
2: I'll Remember April
3: Three Coins In The Fountain
4: In The Still Of The Night
5: Soon
6: A Foggy Day
7: Love Is Here To Stay
8: Run Away, Skidaddle Skidoo (mono)
9: Teacher's Pet (mono)
10: Walk A Chalk Line (mono)
11: You'll Never Know
12: I Had The Craziest Dream
13: Over The Rainbow
14: Oh, But I Do
15: Easy To Love
16: That Old Black Magic
17: Pennies From Heaven
18: The Way You Look Tonight
19: Night And Day
20: Hooray For Hollywood
21: A Very Precious Love
22: Blues In The Night (My Mama Done Tol' Me)
Day, Doris - Que Sera, Sera (5-CD) Box set 4
1: The Tunnel Of Love (take 1)
2: Instant Love
3: Posess Me (stereo)
4: The Tunnel Of Love (take 14)
5: Kissin' My Honey
6: That Jane From Maine (with train effect)
7: Steppin' Out With My Baby
8: The Lady's In Love With You
9: I Enjoy Being A Girl
10: Let's Fly Away
11: Why Don't We Do This More Often
12: Fit As A Fiddle (And Ready For Love)
13: Let's Take A Walk Around The Block
14: Makin' Whoopee
15: You're Driving Me Crazy (What Did I Do?)
16: Get Out And Get Under The Moon
17: I Feel Like A Feather In The Breeze
18: I'm Sitting On Top Of The World
19: Cuttin' Capers
20: Me Too (Ho-Ho! Ha-Ha!)
21: Love Me In The Daytime (double vocal)
22: Anyway The Wind Blows (double vocal)
23: Be Prepared
24: A Perfect Understanding
25: It Happened To Jane
26: He's So Married
27: Deck The Halls With Boughs Of Holly
28: Inspiration
Day, Doris - Que Sera, Sera (5-CD) Box set 5
1: Roly Poly
2: Heart Full Of Love
3: The Sound Of Music
4: Oh! What A Lover You'll Be
5: No
6: A Fellow Needs A Girl
7: What Every Girl Should Know
8: Mood Indigo
9: What's The Use Of Wond'rin'
10: My Kinda Love
11: When You're Smiling
12: You Can't Have Everything
13: A Hundred Years From Today
14: The Everlasting Arms
15: Something Wonderful
16: Not Only Should You Love Him
17: What Does A Woman Do
18: Everybody Loves A Lover(st. w/o 2nd voc, alt)
19: Run Away, Skidaddle Skidoo (stereo)
20: Teacher's Pet (stereo)
21: Walk A Chalk Line (stereo)
22: Posess Me (mono) (alt.)
23: That Jane From Maine (w/o train effect)
24: Makin' Whoopee (alt.)
25: Love Me In The Daytime (single vocal)
26: Anyway The Wind Blows (single vocal)
27: Be Prepared (alt.)
28: A Perfect Understanding (alt.)

 

Artikeleigenschaften von Doris Day: Que Sera, Sera (5-CD)

  • Interpret: Doris Day

  • Albumtitel: Que Sera, Sera (5-CD)

  • Format Box set
  • Genre Pop

  • Music Genre Pop
  • Music Style Pop Vocal
  • Music Sub-Genre 281 Pop Vocal
  • Edition 2 Deluxe Edition
  • Title Que Sera, Sera 5-CD-Box & 96-Page Book
  • Label BEAR FAMILY RECORDS

  • Price code EK
  • SubGenre Pop - Vocal Pop

  • EAN: 4000127157973

  • weight in Kg 2.400
 
 

Artist description "Day, Doris"

Doris Day

Doris Mary Anne von Kappelhoff entered the world on April 3, 1924, in Evanston, a comfortable middle class suburb of Cincinnati, Ohio. Her first name was borrowed from her mother's favorite silent film actress, Doris Kenyon. Both of her parents were born in America to German immigrants, and she was their third and final child (one son, Richard, died at the age of two long before Doris was born.

 

The other boy, Paul, was three years her elder). Her father, Frederick Wilhelm von Kappelhoff (known as William), was a music teacher; church organist; and choral master with a pronounced affinity for classical music. Her mother, Alma Sophia Welz, was an earthy, gregarious woman with a predilection for hillbilly music and country and western tunes. Her parents' diverse musical tastes (neither of which exerted any lasting influence on young Doris) were symptomatic of a deeper rift between them, and they were divorced in 1936. Alma Sophia moved her children to the nearby suburb of College Hill, but retained her job in the Evanston Bakery, which helped to finance the dance lessons that Doris had pursued since kindergarten.

 

A disastrous "debut performance", during which her turn in a school minstrel show was abbreviated when she wet her pants, did nothing to deter the youngster's fascination with popular music in general and dancing in particular. She attended ballet school, learned to tap dance, and by the age of twelve had developed an act with a neighborhood boy named Jerry Doherty. In 1937 the duo won the five hundred dollar first prize in a local amateur contest.

 

It was decided to use this money to help finance a trip to Hollywood, where they might further develop their skills at the well known Fanchon & Marco dance school. The fledgling partnership was so buoyed by their four weeks of tutelage under the attentive eye of film choreographer Louis Da Pron that they decided, along with their mothers, to return to Cincinnati and gather their possessions for a permanent move to the West Coast.

 

On Friday the 13th, October, 1937, the night of a farewell party thrown by family friends, Doris was in the back seat of a car that collided with a train at a railroad crossing. Her right leg was shattered, the move to Hollywood was forgotten, and presumably Astaire & Rogers could breathe easier once again. It was during her lengthy recuperation, compounded by a fall that broke the knitting bones once again, that the events which turned Day into a singer were set in motion. "So you see, every 'break' is a good one!," she later noted wryly.

 

The long commute to school was unmanageable on her crutches, so Doris bided her time in the family's new apartment. It was upstairs from her Uncle Charley's tavern, and the music of the latest popular favorites from the juke box down below was constantly in the background. In her boredom she turned to the radio, which regularly featured remote broadcasts from the great dance bands of the era. She enjoyed Benny Goodman and the Dorseys and their ilk, though as she was later to note in her autobiography, "... the one radio voice I listened to above others belonged to Ella Fitzgerald.

 

There was a quality to her voice that fascinated me, and I'd sing along with her, trying to catch the subtle ways she shaded her voice, the casual yet clear way she sang the words." At this time Fitzgerald was singing with the band that brought her to stardom, Chick Webb and his Orchestra (together they enjoyed one of the most successful recordings of all time with A-Tisket, A-Tasket in 1938). Her influence on Day is very much in evidence on many of Doris's early recordings with the Les Brown band, as well as on the four small-group sides that open this collection.

 

In hopes that this newfound interest in singing might supplant dancing in her daughter's life, Day's mother brought her to vocal coach Grace Raine, the woman whom Doris today credits as the, "one person who had the greatest effect on the career that was in store for me. "Though not a vocalist herself, Raine was a gifted • teacher who impressed upon her young pupil the importance of sincerely feeling a song's lyrics, and communicating their meaning in an intimate, personal manner.

 

"The most important thing that Grace Raine told me," recalls Day, "was that when you sing, don't think of a big audience out there. Sing into someone's ear. A person. You're acting." Grace felt that Doris had so much potential that she was willing to accommodate her limited means and gave her three lessons a week for the price of one.

Raine was affiliated with Cincinnati radio station WLW, and to gauge how her protege might sound over the air, she arranged for her to appear on Carlin's Carnival, a local Saturday morning radio show that featured amateur talent. Doris performed Day After Day, the song that was to eventually provide her with...

 
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