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David Allan Coe Biketoberfest '01 - Live From The Iron Horse Saloon (LP, Remastered)

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(Cleveland International) 14 tracks The country outlaw's 20th anniversary live album. The gruff... more

David Allan Coe: Biketoberfest '01 - Live From The Iron Horse Saloon (LP, Remastered)

(Cleveland International) 14 tracks

The country outlaw's 20th anniversary live album.
The gruff voiced outlaw has transcended the panorama of American roots music. David is not only a singer, guitarist, songwriter, but also a magician and ventriloquist, deep-sea treasure hunter and movie star. His films have included Stagecoach, The Last Days of Frank and Jesse James, Lady Gray and more.

David signed with Sun Records in 1968 and recorded his first album, Penitentiary Blues, with songs he wrote in prison. In 1973, Columbia Records bought David's contract with Sun Records and recorded his first Columbia album titled "The Mysterious Rhinestone Cowboy," a few years before Glen Campbell had a hit with "Rhinestone Cowboy." Much has been written about David's past and lifestyle, but not much about his successes over the years. From performing at Farm Aid to touring with Neil Young, Kid Rock and Willie Nelson.

David had sixty-three songs on the Billboard Singles Chart and had written songs for Johnny Paycheck, Tanya Tucker, George Jones, Willie Nelson, Leon Russell, Charlie Louvin, Del Reeves, Tamy Wynette, Melba Montgomery, Stoney Edwards, the Oak Ridge Boys and Kid Rock.

Article properties: David Allan Coe: Biketoberfest '01 - Live From The Iron Horse Saloon (LP, Remastered)

  • Interpret: David Allan Coe

  • Album titlle: Biketoberfest '01 - Live From The Iron Horse Saloon (LP, Remastered)

  • Genre Country

  • Label CLEVELAND INTERN.

  • Geschwindigkeit 33 U/min
  • Vinyl record size LP (12 Inch)
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Artikelart LP

  • EAN: 0709522500110

  • weight in Kg 0.24
Coe, David Allan - Biketoberfest '01 - Live From The Iron Horse Saloon (LP, Remastered) LP 1
01 I'm An Ohio Boy David Allan Coe
02 Son Of The South David Allan Coe
03 59 Cadillac, 57 Chevrolet David Allan Coe
04 Wreckless David Allan Coe
05 Nothing To Lose David Allan Coe
06 When I Was A Young Man David Allan Coe
07 If That Ain't Country (Part Ii) David Allan Coe
08 Only God Knows Why David Allan Coe
09 Single Father David Allan Coe
10 Drank My Wife Away David Allan Coe
11 A Harley Someday David Allan Coe
12 Take This Job And Shove It David Allan Coe
13 The Ride David Allan Coe
14 You Never Even Called Me By My Name David Allan Coe
DAVID ALLAN COE David Allan Coe on Bear Family Records We are truly proud to be the... more
"David Allan Coe"

DAVID ALLAN COE

David Allan Coe on Bear Family Records We are truly proud to be the only label to offer Coes best recordings in this comprehensive form. (Bear Family Records) David Allan Coe The eternally rebellious outsider is one of the most dazzling and unpredictable artists in country music and the entire music scene.

A pioneer of the outlaw movement, David Allan Coe himself had no hits, but wrote several for other performers, including Would You Lay With Me In A Field Of Stone and Take This Job And Shove It. Coe was hyperactive: During his 13 years with Columbia he released two albums almost every year. Castles In The Sand' and'Hello In There' were released in 1983 and critics agree:'Castles In The Sand' is one of the most underrated albums of its time - and one of the most unusual. Coe wrote only three songs for this album, and co-wrote another one. The title song is dedicated to Bob Dylan, one of the two most misunderstood artists of her generation - the other is Coe herself. David Allan Coe imitates Dylan's voice during the complete verses and sings the choruses with his own. Title 2 is a funky version of Dylan's Gotta Serve Somebody, recorded with Lacy J. Dalton. Another highlight is the eerie cover version of The Ride, a No. 4 country hit from 1983, in which the spirit of Hank Williams appears to offer his help.

Hello In There runs on two tracks: Province & City. Once again David Allan Coe mixes his own compositions with cover versions and excavations that reflect his feelings at that time. Play tips are Hello In There by John Prine, Jerry Butlers He (Will Break Your Heart) and Gotta Travel On by Billy Grammer.

DAVID ALLAN COE

Epic self-mythologist David Allan Coe arrived in Nashville on November 3, 1968, one year and one day after his release from Marion Correctional Institute in Ohio. He signed with music publisher Audie Ashworth, who'd just signed J.J. Cale. After trying to land a contract for Coe without any success, Ashworth encouraged him to get a day job. Coe resisted. "If you get a steady job you start living like citizen people," he said. "You run up debt, and then you need the steady job to pay off the debt." And so Coe stayed with friends and got by on little.

"Columnist Jack Hurst was the guy that really got me started," said Coe. "He'd seen my car, the hearse, parked down at the Grand Ole Opry. He come down, wrote a story about me." Hurst's piece piqued the interest of producer-label owner Shelby Singleton, who was flush with money from Harper Valley PTA. With that money, he bought the old Sun Records catalog, and along with the Sun tapes came a would-be producer from Memphis named Teddy Paige, who'd been in one of the last acts on Sun, the Jesters. "I talked to Coe," said Singleton, "and he told his stories. He wanted to be a country singer. I said, 'Lemme hear something.' He started singing all these songs about prison life. I said, 'Hell, ain't none of them songs country.' He said he had hundreds more prison songs up in Ohio, so I give him and Teddy Paige two hundred dollars and told them to bring 'em back." This was the only song on Coe's first LP that he didn't write or cowrite. It was the work of one of Ashworth's songwriters, Hank Mills, who'd written the best song ever about Nashville, Kay. Like the rest of the LP, it was set to an insistent Jimmy Reed beat.

 

Coe went on to write Would You Lay With Me In A Field Of Stone and Take This Job And Shove It. There were rumors that Paige died in the Jonestown massacre, but the truth was stranger. He went to Hastings, England where he became a medievalist named Count Edward MacDonald. Forsaking the guitar for the lute, he played at restaurants and medieval festivals. In June 2003, he was arrested for wounding a neighbor with a sword. Jailed for life, he was taken to Ashen Hill medium secure psychiatric hospital in Sussex, England.

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