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Patsy Cline Just Out Of Reach (2-CD)

Just Out Of Reach (2-CD)
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Patsy Cline: Just Out Of Reach (2-CD)

Article properties: Patsy Cline: Just Out Of Reach (2-CD)

  • Interpret: Patsy Cline

  • Album titlle: Just Out Of Reach (2-CD)

  • Label JASMINE

  • Price code JAS
  • Genre Country

  • Artikelart CD

  • Edition 2
  • EAN: 0604988361827

  • weight in Kg 0.12
Cline, Patsy - Just Out Of Reach (2-CD) CD 1
01 That Wonderful Someone Patsy Cline
02 In Care Of The Blues Patsy Cline
03 Hungry For Love Patsy Cline
04 Too Many Secrets Patsy Cline
05 Don't Ever Leave Me Again Patsy Cline
06 Ain't No Wheels On This Ship (We Can't Roll) Patsy Cline
07 I Can't Forget Patsy Cline
08 I Don't Wanta Patsy Cline
09 Three Cigarettes In An Ashtray Patsy Cline
10 Walking After Midnight Patsy Cline
11 Fingerprints Patsy Cline
12 Then You'll Know Patsy Cline
13 I Fall To Pieces Patsy Cline
14 Foolin' 'round Patsy Cline
15 The Wayward Wind Patsy Cline
16 South Of The Border (Down Mexico Way) Patsy Cline
17 I Love You So Much It Hurts Me Patsy Cline
18 Seven Loney Days Patsy Cline
19 Crazy Patsy Cline
20 San Antonio Rose Patsy Cline
21 True Love Patsy Cline
22 Walking After Midnight Patsy Cline
23 Poor Man's Roses (Or A Rich Man's Gold) Patsy Cline
24 Have You Ever Been Lonely (Have You Ever...) Patsy Cline
25 A Church, A Courtroom And Then Goodbye Patsy Cline
26 Honky Tonk Merry Go Round Patsy Cline
27 Hidin' Out Patsy Cline
28 Turn The Cards Patsy Cline
29 I Love You, Honey Patsy Cline
30 Come On In (And Make Yourself At Home) Patsy Cline
31 I've Loved And Lost Again Patsy Cline
32 Stop Look And Listen Patsy Cline
33 Poor Man's Roses (Or Rich Man's Gold) Patsy Cline
34 Today Tomorrow And Forever Patsy Cline
35 Try Again Patsy Cline
36 A Stranger In My Arms Patsy Cline
37 Stop The World (And Let Me Off) Patsy Cline
38 Walking Dream Patsy Cline
39 Come On In (And Make Yourself At Home) Patsy Cline
40 Let The Teardrops Fall Patsy Cline
41 I Can See An Angel Walking Patsy Cline
42 Never No More Patsy Cline
43 If I Could See The World (By The Eyes Of...) Patsy Cline
44 Just Out Of Reach (Of Your Two Empty Arms) Patsy Cline
45 Dear God Patsy Cline
46 He Will Do For Me Patsy Cline
47 Yes I Understand Patsy Cline
48 Cry Not For Me Patsy Cline
49 Gotta Lot Of Rhythm In My Soul Patsy Cline
50 I'm Blue Again Patsy Cline
51 Lovesick Blues Patsy Cline
52 How Can I Face Tomorrow Patsy Cline
53 Crazy Dreams Patsy Cline
54 There He Goes Patsy Cline
55 Lovin' In Vain Patsy Cline
56 Who Can I Count On Patsy Cline
Patsy Cline Stop,  Look And Listen  To the general public, Patsy Cline's name... more
"Patsy Cline"

Patsy Cline

Stop,  Look And Listen 

To the general public, Patsy Cline's name and legend will forever be linked to four crossover pop hits and her tragic death in that infamous private plane crash on March 5, 1963. Savvier listeners say her legacy rests on the creamy, flawless ballads she recorded for Decca between November 1960 and February 1963.

But what if a frustrated, disheartened Patsy Cline never recorded another note after her 4-Star contract expired in 1960? Those obsessed with trade charts would tab her as the 'one-hit wonder' who spent a career seeking that elusive follow-up to Walkin' After Midnight. But country and rockabilly collectors would rank her among the era's greatest dynamic female singers, ranking alongside of Charline Arthur, Wanda Jackson, Brenda Lee, Rose Maddox, Janis Martin and Kay Starr.

Sure, the ballads Cline was handed in the studio between 1955 and 1960 were mediocre at best, embarrassing at worst. But her brassy, nicotine-fueled vocals absolutely shine on the uptempo material reissued here. Arguably these recordings – not the lush, later Decca productions that Owen Bradley midwifed – reveal the 'true' Patsy Cline.

Cline's story has been told often, most notably in Margaret Jones' definitive biography 'Patsy: The Life And Times Of Patsy Cline' (HarperCollins, 1994), Ellis Nassour's earlier 'Patsy Cline' (Leisure, 1981), and Paul Kingsbury's notes for a now-deleted MCA box set, 'The Patsy Cline Collection'. In a nutshell, she was born Virginia Patterson Hensley September 8, 1932 in Gore, Tennessee. Encouraged by an older half-sister, she taught herself piano as a child. The family moved to Winchester, Virginia, where she made her radio debut over WINC in 1948. Impressed by her talent, gospel singer Wally Fowler suggested she try out for the Grand Ole Opry, but her young age kept her off the Ryman stage.

She allegedly took the stage name 'Patsy' from WLS singer Patsy Montana, although some claim it was a childhood contraction of her middle name. By  1952 she began singing with Bill Peer's Melody Boys, dressed in a flashy cowgirl outfit sewn by her mother. In March 1953 she married construction worker Gerald Cline, reportedly to ward off Peer's constant advances.

When Washington, DC record producer Lillian Claiborne became her manager in 1954, she arranged for Cline to record about a dozen songs at Ben Adelman's local studio. Adelman had some connections in the music industry. A year earlier he placed Jimmy Dean's Bumming Around with Bill McCall's 4-Star Records, scoring a #5 Billboard country hit.

Impressed by Cline's bold performances, Adelman brought Cline's demos to McCall's Pasadena 4-Star's offices. McCall saw potential in the singer, signing her to a two-year contract in September 1954. The terms were ethically questionable, calling for sixteen releasable sides, paying $50 per master plus a royalty of 2.34 percent of a record's retail price. As biographer Margaret Jones noted, this was less than half [of ?] the going royalty paid by most labels. "That meant if she had a modest hillbilly hit of 25,000, the most she would stand to make after all the standard deductions would be $440," Jones wrote.

Far more ominous was McCall's fine print: "The musical compositions to be recorded shall be mutually agreed on by you and us, and each recording shall be subject to our approval as satisfactory, for manufacture and sale." In a nutshell, Cline could only record material owned and administered by McCall's publishing companies.

McCall's one-year 'option to renew' clause also proved problematic. "When she was broke, she would call McCall and ask for an advance against future royalties," Jones explained. "McCall would give her money but would require an extension on her contract." Cline renewed her contract three times between March 30 and November 29, 1956, tying her to 4-Star into summer 1960.

Dissatisfied with the Adelman tapes, Cohen asked Cline to record a demo session in Decca's New York studios, backed by Peer's Melody Boys. Cline cut four songs at this November 1954 session. How Cohen responded to these now lost tracks is uncertain. Ellis Nassour claims that Cohen wanted to buy Cline's contract outright, but McCall refused his offer. While conceding that this demo session helped secure the Coral contract, Jones says that Cohen was dissatisfied with what he heard.

Believing the singer would be better served by Nashville sidemen, Cohen arranged to have Cline record at Owen Bradley's Film and Recording Studio on June 1, 1955. Although the exact personnel is unknown, musicians on this session are generally believed to be Grady Martin and Harold Bradley, guitars; Tommy Jackson, fiddle; Don Helms, steel; Bob Moore; bass; Farris Coursey, drums; and Owen Bradley on piano. Four songs were recorded, two of them ballads 'co-written' by W.S. Stevenson, actually a Bill McCall pseudonym lifting William Shakespeare's initials and Robert Louis Stevenson's last name. Cline shined on the two upbeat numbers heard here, Turn The Cards Slowly and Honky Tonk Merry-Go-Round. Cline's first two Coral releases showcased the ballads, relegating her livelier songs to the flip sides. Neither single dented the charts.

Meanwhile, Cline's career was on the rise, thanks to her association with Washington, DC-area broadcaster and promoter Connie B. Gay. Cline became a semi-regular on Gay's daily 'Town & Country Time' radio and television shows. In September 1955 she was featured on Gay's 'Town & Country Jamboree,' a live Saturday night extravaganza hosted by Jimmy Dean. By year's end the show emerged as the region's most popular musical showcase, reaching an estimated 500,000 viewers.

In January 1956 Cline returned to Bradley's Nashville studio for her second session. ..

Patsy Cline Stop, Look And Listen - Gonna Shake This Shack Tonight
Read more at: https://www.bear-family.com/cline-patsy-stop-look-and-listen-gonna-shake-this-shack-tonight.html
Copyright © Bear Family Records

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Tracklist
Cline, Patsy - Just Out Of Reach (2-CD) CD 1
01 That Wonderful Someone
02 In Care Of The Blues
03 Hungry For Love
04 Too Many Secrets
05 Don't Ever Leave Me Again
06 Ain't No Wheels On This Ship (We Can't Roll)
07 I Can't Forget
08 I Don't Wanta
09 Three Cigarettes In An Ashtray
10 Walking After Midnight
11 Fingerprints
12 Then You'll Know
13 I Fall To Pieces
14 Foolin' 'round
15 The Wayward Wind
16 South Of The Border (Down Mexico Way)
17 I Love You So Much It Hurts Me
18 Seven Loney Days
19 Crazy
20 San Antonio Rose
21 True Love
22 Walking After Midnight
23 Poor Man's Roses (Or A Rich Man's Gold)
24 Have You Ever Been Lonely (Have You Ever...)
25 A Church, A Courtroom And Then Goodbye
26 Honky Tonk Merry Go Round
27 Hidin' Out
28 Turn The Cards
29 I Love You, Honey
30 Come On In (And Make Yourself At Home)
31 I've Loved And Lost Again
32 Stop Look And Listen
33 Poor Man's Roses (Or Rich Man's Gold)
34 Today Tomorrow And Forever
35 Try Again
36 A Stranger In My Arms
37 Stop The World (And Let Me Off)
38 Walking Dream
39 Come On In (And Make Yourself At Home)
40 Let The Teardrops Fall
41 I Can See An Angel Walking
42 Never No More
43 If I Could See The World (By The Eyes Of...)
44 Just Out Of Reach (Of Your Two Empty Arms)
45 Dear God
46 He Will Do For Me
47 Yes I Understand
48 Cry Not For Me
49 Gotta Lot Of Rhythm In My Soul
50 I'm Blue Again
51 Lovesick Blues
52 How Can I Face Tomorrow
53 Crazy Dreams
54 There He Goes
55 Lovin' In Vain
56 Who Can I Count On