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Ray Charles Ray Charles Collection (2-LP)

Ray Charles Collection (2-LP)
 
 
 
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catalog number: LPARC14557

weight in Kg 0,600

 

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$21.00 *
 
 
 
 
 

Ray Charles: Ray Charles Collection (2-LP)

(1989/Arcade) 32 tracks - ABC-Paramount recordings
 

Songs

Ray Charles - Ray Charles Collection (2-LP) Medium 1
1: I Can't Stop Loving You  
2: You Don't Know Me  
3: Ruby  
4: It Makes No Difference Now  
5: That Lucky Old Sun  
6: Cry  
7: Let's Go Get Stoned  
8: Together Again  
9: Here We Go Again  
10: Take These Chains Of My Heart  
11: Eleanor Rigby  
12: I Love You So Much It Hurts  
13: Makin' Believe  
14: Smack Dab In The Middle  
15: Hey, Good Lookin'  
16: What'd I Say (live)  
Ray Charles - Ray Charles Collection (2-LP) Medium 2
1: Yesterday  
2: Born To Lose  
3: Your Cheatin' Heart  
4: Half As Much  
5: You Win Again  
6: Makin' Whopee (live)  
7: Busted  
8: Georgia On My Mind  
9: Crying Time  
10: Careless Love  
11: Baby, It's Cold Outside Ray Charles & Betty Carter  
12: You Are My Sunshine  
13: Bye Bye Love  
14: Unchain My Heart  
15: I Gotta Woman (live)  
16: Hit The Road Jack  

 

Artikeleigenschaften von Ray Charles: Ray Charles Collection (2-LP)

  • Interpret: Ray Charles

  • Albumtitel: Ray Charles Collection (2-LP)

  • Format LP
  • Genre R&B, Soul

  • Title Ray Charles Collection (2-LP)
  • Vinyl size LP (12 Inch)
  • Speed / RPM 33 U/min
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Release date 1989
  • Label ARCADE

  • SubGenre R&B Music - Classic R&B

  • EAN: 3351471455712

  • weight in Kg 0.600
 
 

Artist description "Charles, Ray"

Ray Charles

Ray Charles

Losing Hand

(Charles Calhoun)

Atlantic 1037

 

Ray Charles had only recently joined the roster of Atlantic Records when he waxed the mournful blues Losing Hand on May 17, 1953 with a New York session crew consisting of saxists Dave McRae, Freddie Mitchell, and Pinky Williams, bassist Lloyd Trotman, drummer Connie Kay, and guitarist Mickey Baker, whose slippery chords cascade downward like thick, murky molasses. Brother Ray didn't use a guitarist on his subsequent Atlantic sides, making Baker's presence quite unusual (arranger Jesse Stone wrote the song under his alias of Charles Calhoun). Ray had yet to explode with his groundbreaking gospel/blues synthesis, although his impassioned vocal and two-fisted piano offered clues as to his immediate future.

"He still was being recorded in the conventional way, like you'd record almost any single singing artist," said Ray's late co-producer, Jerry Wexler. "We got the backing musicians, we got the arranger Jesse Stone, we rehearsed, and so on."

Born in Albany, Georgia on September 23, 1930 but raised in Greenville, Florida, Ray Charles Robinson lost his sight as a child but gained a love for music—blues, boogie-woogie, jazz, country—that was unshakable. He left the state school for the blind at 15, his piano skills already formidable, and somehow made his way cross-country from Jacksonville, Florida to Seattle. Jack Lauderdale of Swing Time/Down Beat Records brought Charles and his McSon Trio aboard in 1949. His first release was a hit and two more after that too, though his predilection for imitating Nat King Cole and Charles Brown hadn't been tamed yet.

Swing Time was experiencing financial difficulties in 1952, so Lauderdale peddled Charles' contract to Atlantic. There Ray would transform R&B with his daring gospel/blues synthesis on the smashes I've Got A Woman, Hallelujah I Love Her So, and What'd I Say (speaking of advancements in electric instrumentation, he played a Wurlitzer piano on the latter). His sessions were like no other at Atlantic.

"They were exciting, edifying, thrilling," said Wexler. "We're talking about Ray Charles. There were no downers. I mean, there was never anything negative or worrying, because Ray Charles had the whole thing figured out from beginning to end. And so, as would be the case with many other sessions, when there had to be some direction from us because we weren't going anywhere, or some changes to be made, that wasn't the case with Ray."

Of course, Ray's ceaseless musical experiments rendered him a superstar right up to his June 10, 2004 death. No wonder they called him a genius.

- Bill Dahl -
Chicago, Illinois

PLUG IT IN! TURN IT UP!

Electric Blues 1939-2005. - The Definitive Collection!

 
Presseartikel über Ray Charles - Ray Charles Collection (2-LP)
Customer evaluation "Ray Charles Collection (2-LP)"
Average customer evaluation
Star Rating
(from 1 customer evaluations)
 
 
From: Anne Niehausen 2017-06-20 20:07:38

Ray!

Seit ich den Film Ray geschaut habe, weiß ich wie schön Ray Charles klingt

 
 
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