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James Brown Time For Payback (4-LP 180g Vinyl)

Time For Payback (4-LP 180g Vinyl)
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  • LP532584
  • 1.25
(2010/UNIVERSAL) 23 exclusive tracks plus comments by James Brown, Sting, Brian Fery a.o.... more

James Brown: Time For Payback (4-LP 180g Vinyl)

(2010/UNIVERSAL) 23 exclusive tracks plus comments by James Brown, Sting, Brian Fery a.o. Gatefold/Klappcover (1.2kg)

Article properties: James Brown: Time For Payback (4-LP 180g Vinyl)

  • Interpret: James Brown

  • Album titlle: Time For Payback (4-LP 180g Vinyl)

  • Genre R&B, Soul

  • Year of publication 2010

  • Geschwindigkeit 33 U/min
  • Vinyl record size LP (12 Inch)
  • Mint (M)
  • Sleeve Grading Mint (M)
  • Vinyl weight 180g Vinyl
  • Artikelart LP

  • EAN: 0600753258484

  • weight in Kg 1.25
Brown, James - Time For Payback (4-LP 180g Vinyl) LP 1
01 Comment James Brown
02 The Payback (Part 1) James Brown
03 Comment James Brown
04 Give It Up Or Turnit A Loose (Remix) James Brown
05 Talkin' Loud & Sayin' Nothing (Remix) James Brown
06 Comment James Brown
07 People Get Up And Drive Your Funky Soul James Brown
08 It's A Man's Man's Man's James Brown
09 Introduction To Star Time James Brown
10 Cold Sweat (Live) James Brown
11 Get Up And Feel Like Being A Sex Machine (L.. James Brown
12 Get Up Get Into It Get Involved (Live) James Brown
13 Comment James Brown
14 My Thang James Brown
15 I Can't Stand It '76 James Brown
16 Comment James Brown
17 All For One James Brown
18 Fight Against Drug Abuse (Public Service A... James Brown
19 Comment James Brown
20 It's A New Day ... (Live) James Brown
21 For Goodness Sakes, Look At Those James Brown
22 I Refuse To Loose James Brown
23 Comment James Brown
24 People Who Criticize James Brown
25 Comment James Brown
26 Bessie James Brown
27 Jam James Brown
28 Comment James Brown
29 Super Bull/Super Bad James Brown
30 No Static (Full Force Def Mix) James Brown
31 Nature James Brown
32 Comment James Brown
33 The Payback (Live) James Brown
James Brown with JB's Always one of soul music‘s leading innovators and by his own... more
"James Brown"

James Brown with JB's

Always one of soul music‘s leading innovators and by his own nomination The Hardest Working Man in Show Business, James Brown had many a brainstorm. One of the lesser-remembered was the three-part single.

Two-siders were commonplace, but JB’s funk-dripping jams often went so long that they were pressed up on singles in three parts: Part 1 as the A-side, the other two squeezed onto side B. Soul Brother Number 1 used the gimmick on his 1970 R&B chart-topper Super Bad, and he brought it back for Soul Power, cut during an all-night session on January 26, 1971 at Rodel Studios in Washington, D.C. (Brown’s organization was hunkered down at Loew‘s Palace Theater there).

Brown’s band had changed drastically since the days of Papa’s Got A Brand New Bag and Cold Sweat. Saxist Maceo Parker, guitarist Jimmy Nolen, and drummer Clyde Stubblefield had all defected. In their place was a crew that featured brothers Phelps ‘Catfish‘ Collins and William ‘Bootsy‘ Collins driving the funk on guitar and bass. They were abetted by a core group of trusted Brown vets: drummer John ‘Jabo‘ Starks, tenor saxist St. Clair Pinckney, Bobby Byrd on organ and spirited responsorial vocals, and trombonist Fred Wesley, who had been gone for a while but returned to the fold to whip the newcomers into shape.

The Godfather of Soul’s legion of fans didn’t even notice all the uproar in James‘ organization. He started 1971 with the #4 R&B seller Get Up, Get Into It, Get Involved (Part 1) prior to the release of Soul Power, which blasted up to #3 R&B and #29 pop that spring (Wesley stepped out for an extended solo on Part 2, taking Maceo’s place as Brown’s instrumental foil). Over the course of the summer, Brown topped the R&B hit parade twice, with Part 1 of Hot Pants (She Got To Use What She Got, To Get What She Wants) (his biggest pop crossover item of the year, maxing out at #15), and Part 1 of Make It Funky.

By spring, the Collins brothers were off Brown’s payroll, itching to do their own thing and ending up with George Clinton’s Parliament-Funkadelic. James plugged in more talented young players and kept on dishing up the funk. Nobody did it better. 

Various Sweet Soul Music 26 Scorching Classics 1971
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