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BLUE MAGIC Magic Fantasy

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catalog number: CDBUZZ8040

weight in Kg 0,107

$18.09 *

BLUE MAGIC: Magic Fantasy

(2001 'Last Buzz') (36:09/10) Junge dänische Combo. Charlie Musselwhite outet sich in den Linernotes als begeisterter Fan. Kein Rock. Blues. Zumeist Coverfassungen, jedoch originell und spannend interpretiert. Es gibt u.a. Titel von Jimmy Reed, Lowell Fulson, Jerry McCain und Freddie King und Snooks Eaglin. Und wenn die irgend wann mal gutes eigenes Material haben, werden sie noch interessanter sein / Young Danish combo. In his liner notes, Charlie Musselwhite is outing himself as an enthusiastic fan. No rock. Straight blues. Almost no originals, but very individual new versions of tunes by Pete Johnson, Junior Wells a.m.o. Once they will be presenting their own material, they will be even better.


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Artikeleigenschaften von BLUE MAGIC: Magic Fantasy

  • Interpret: BLUE MAGIC

  • Albumtitel: Magic Fantasy

  • Format CD
  • Genre Blues

  • Music Genre Blues
  • Music Style Blues From Scandinavia
  • Music Sub-Genre 954 Blues From Scandinavia
  • Title Magic Fantasy

  • SubGenre Blues - Contemporary

  • EAN: 7393210027428

  • weight in Kg 0.107

Artist description "Blue Magic"

Blue Magic


Blue Magic



Philadelphia remained ground zero for sweet-harmonizing vocal groups. Case in point: Blue Magic. Their lead vocalist Ted ‘Wizard’ Mills possessed a falsetto that rivaled that of Russell Thompkins, Jr. of The Stylistics. Like them, Blue Magic specialized in intimate romantic ballads. They had plenty of success doing it.

Mills was fronting a quintet called The Topics when he met Alan Rubens and Steve Bernstein. They financially backed a demo by the group at Philly’s Sigma Sound that was produced by guitarist Norman Harris, moonlighting from his regular gig with MFSB. A demo of Spell, penned by Mills, was good enough to issue on Atco in late ’72, though it came out under the flashier moniker of Blue Magic. It rose to #30 the following spring.

Then the braintrust canned everyone but Ted, bringing in a young group from Northwest Philly formerly called Shades of Love that consisted of tenors Keith Beaton and Vernon Sawyer, Vernon’s brother Wendell on baritone, and bass Richard Pratt to back him. The new lineup debuted on Blue Magic’s Atco encore, Look Me Up (written by Harris and Allan Felder), which went to #36 R&B. Near year’s end, Stop To Start proved their biggest seller yet, stopping at #14 R&B.

Bobby Eli and Vinnie Barrett (aka Gwen Woolfolk) were inspired to write Blue Magic’s only R&B chart-topper by visiting an antique museum featuring circus toys. They got to work on Sideshow, which took several months to complete. Harris loved it and asked to produce and arrange it on Blue Magic. With Harris and Eli on guitar, Ronnie Baker on bass, Earl Young manning the drums, and Ron Kersey on the 88s, Mills wrapped his heavenly high tenor around the lovely ballad at Sigma Sound and ended up with a #1 smash that June that went to #8 pop.

Eli and Barrett stayed under the big top when creating Blue Magic’s encore hit Three Ring Circus, again helmed by Harris at Sigma. It climbed to #5 R&B that autumn, again underscoring Mills’ entrancing balladry. The front man wrote Chasing Rainbows, his group’s top seller of ’75, while Eli and Barrett were behind Blue Magic’s ’76 hit Grateful. Before year’s end, the quintet shifted to the WMOT logo. Pratt left after their ‘81 album for Capitol, so a four-man lineup was responsible for Magic #, Blue Magic’s last hit for Mirage in ‘83. Mills is now magical on his own.

- Bill Dahl -

Various - Sweet Soul Music 23 Scorching Classics From 1974

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