Lurrie Bell Mercurial Son - The Blues Of Lurrie Bell

Lurrie Bell: Mercurial Son - The Blues Of Lurrie Bell

The son of famed bluesman Carey Bell, Lurrie was originally exalted as a musical genius until his life was derailed with bouts of mental illness, homelessness and addiction. But a chance meeting with Susan, an extraordinary young photographer working in the blues scene, changed the course of both their lives. Over time, Susan and Lurrie formed a close bond and together they struggled to keep their careers and daily lives from imploding. The film, shot over three years follwos them as they face their personal demons, fight to regain Lurrie's lost musical ground and struggle to survive the most difficult and rewarding years of their lives. Filled with Lurrie's sublime guitar playing, this is a testament to the raw power of blues music and the lives that live on (Director Paul Marcus). Impressive and moving film. Comes with a lot of bonus material, live shows with S.O.B, Lurrie live at Buddy Guy's Legends in Chicago (2003), and footage from a performance at the famous Maxwell Street Market in 1994. Strongly recommended. (Farbe/color, Regional code: 0, NTSC, 4:3 picture format, Stereo).

Artikeleigenschaften von Lurrie Bell: Mercurial Son - The Blues Of Lurrie Bell

• Interpret: Lurrie Bell

• Albumtitel: Mercurial Son - The Blues Of Lurrie Bell

• Format DVD
• Title Mercurial Son - The Blues Of Lurrie Bell

• Label PAUL MARCUS

• EAN: 4000127709240

• weight in Kg 0.100

Artist description "Bell, Lurrie"

Lurrie Bell

By the time Lurrie Bell (born December 13. 1958) was in his early twenties, he was the Next Great Hope of Chicago blues. Well steeped in the idiom via his harmonica great father Carey Bell, his Godfather Eddie C. Campbell. and a circle of well-known friends and relatives, he made his studio debut in 1977, record-ing behind his father (later issued as Heartaches And Pain, Delmark 666) and Campbell. drafted to add funk to the bass line on the title track of Eddie's King Of The Jungle album while on hand to watch his father participate. A 1978 trip to Berlin with the New Generation Of Chicago Blues pack-age and a stint with Koko Taylor gave him his first real road exposure. In 1982 he and Carey record-ed Son Of A Gun for Rooster Blues.

Life seemed full of possibilities. But what Lurrie calls "my trials" are well-known (many are chronicled in the remarkable DVD Mercurial Son and a chapter in David Whiteis' excellent book Chicago Blues: Portraits and Stories): substance abuse, living on the streets, then. as he was regaining his bearings, the loss of his twin babies a few weeks apart, his devoted lady Susan Greenberg and finally his father in 2007. I have told Lurrie more than once that he is the most inspirational person I know. It's not just that he's persevered through such a daunting barrage.

It's that he never lets his knees buckle; it's close enough for horseshoes to all sunny side up and indefatigably positive. Lurrie has held on to faith and music for sustenance. With those allies, and the love and sup-port of an impressive roster of friends and family, he has managed to rack up accolades. recognition like multiple Living Blues Artist and Guitarist Of The Year awards and a 3Arts Grant. and more raves and renown for his recent CD The Devil Ain't Got No Music (including the French 12Acadernie du Jazz Prix Du Blues Award for Best Blues Recording of 2012) and his tracks on both volumes of the highly acclaimed Chicago Blues: A Living History gather-ings (netting a Grammy nomination).

As part of the belated stabilization and renais-sance of his career, Lurrie's last two CDs (on his Aria BG label, named for his surviving daughter) have been about stretching him (successfully) to showcase the breadth as well as the magnitude of his art (and to fulfill a long-held goal of his and Susan's of recording some of the gospel on which he was raised as a church musician during his southern childhood years).

While Lurrie demon-strated convincingly how interesting his facets can be and how boldly he can meet artistic challenges, for this project he just wanted to get back to the solid foundation of Chicago-styled traditional guitar blues, done with his rare blend of reverence, in-volvement and individuality and framed largely by and picked a balanced program's worth of keepers. With a little nudging, he wrote a nicely varied three more. "24 Hour Blues" is a loping shuffle with a groove evocative of Magic Slim, recorded on the sad day of our longtime friend's passing (February 21)

Ifs not just that he's persevered through such a daunting barrage. Its that he never lets his knees buckle: it's close enough for horseshoes to all sunny side up and indefatigably positive."
-DICK SHURMAN

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