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Pressearbeit / Media Deutschland: Shack Media Promotion Agency Tom Redecker - Postfach 1627 - 27706 Osterholz-Scharmbeck Tel.: 04791-980642 -  Fax:... read more »
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Bear Family Records Press Archive

Pressearbeit / Media Deutschland:
Shack Media Promotion Agency
Tom Redecker - Postfach 1627 - 27706 Osterholz-Scharmbeck
Tel.: 04791-980642 - Fax: 04791-980643 [email protected]  www.shackmedia.de

Automatically scanned from the original press reviews by an OCR software, the text files in our Press Archive may contain errors and mutilations. We will eliminate these errors whenever time allows. We apologize for any inconvenience. 

Press - Perez Prado Mambo Mania - Havanna 3 A.M.- dec 2016 issue of New York City Jazz Record
Press - Perez Prado Mambo Mania - Havanna 3 A.M.- dec 2016 issue of New York City Jazz Record
Perez Prado
BY MARILYN LESTER
Although his fame was fleeting in mainstream America, Darnaso Perez Prado, aka "The Mambo King", was for more than four decades a popular and successful pianist, arranger and composer in the world of Latin music. During the mambo craze of the late '40s-early '50s he achieved a status as one of the most influential pop orchestra leaders of the time. Prado was born one hundred years ago this month on Dec. 11th into a middle class family in Mantanzas, Cuba. He studied classical piano at an early age and first worked professionally as an organ player and pianist at local cinemas and clubs. In 1942 he moved to Havana where he began arranging and composing, working with some of the most famous Cuban bands of the day. At this time, Prado began to develop his concept of the mambo, which he did not invent, but certainly furthered. In 1947 he was compelled to leave Cuba after being denounced by Fidel Castro for debasing Cuban music. Prado made a tour of South America, finally settling in Mexico City where, by 1948, he became a regular and popular performer at Club 1-2-3, earning the nickname "Glenn Miller of Mexico" (during his first U.S. tour in the early '50s he was also called the "Stan Kenton of Mexico"). Savvy listeners in New York and Southern California first heard Prado's mambo music on Latin radio stations and rejoiced when the tunes crossed over to mainstream pop broadcasts.