LAST MAN STANDING: This was the title of one of the most significant records by Ferriday's artist, Louisiana, released about ten years ago. He proclaimed in a brazen way like the Killer, this is the name that already, as a rage, they drowned him because of his reckless and overpowering character, he was the only survivor of that generation of pioneers who, in the 50s
Instead of reprising the same seminal Sun hits, the Bear Family dug deep into The Killer's middle and later years at Sun for this new comp, digging up 14 alternate takes never before transferred to vinyl. The Pumping Piano man rocks his way through the ancient Carry Me Back To Old Virginia, tries his best to wrest Sweet Little Sixteen aw
JERRY LEE LEWIS In the beginning
Every one of the 14 performances that comprise this Bear Family LP are alternate takes on Jerry Lee's classics, and with the lone exception of 1 Could Never Be Ashamed Of You, raging rockers at that. They're all here: Whole Lotta Shakin' Going On, Great Balls Of Fire, Breathless, Down The Line, It'll Be Me — but each track is different from the smash version that we know so intimately
.This Sixty years in the making - and worth waiting for! For the first time in more than a generation there are two entirely new vinyl Jerry Lee Lewis Sun LPs to celebrate! Whilst many of the song titles may be well known, each album features no fewer than fourteen recordings which, until now, have never been pressed onto vinyl.
Album vinyle 180 g publié fin juin 2017 chez BEAR FAMILY. Avec 14 morceaux des archives du label SUN publiés pour la première fois en vinyle. IR be me (Take 3), Put me down (Take 5), Great balls of fine (Version 1 take 6)... et d'autres alternates. Le second volume sortira en septembre 2017.
So much so that when I listen to them now they sound fresh. Some going when they were recorded over sixty years ago. My favourite track has to be his reworking of the Hank Williams standard "I Could Never Be Ashamed Of You". Mr Lewis was once quoted when speaking of Hank Williams, "I felt something when I listened to that man. I felt something different". Well the same can now be said of you Mr Lewis.
I can't recommend this release highly enough.
“What The Hell Else Do You Need?”
“Pretty fly for a white guy,” I summarized Jerry Lee Lewis most of my life—but always at the tail end of my summation of those Rock And Roll Grandaddies. Elvis was Elvis, I would say, and that needed no further explanation. Roy Orbison had the voice. Bo Diddley had the humor. Hank Williams had the desperation. Chuck Berry had the storytelling. And Little Richard, Lord save us, Little Richard sounded like a locomotive getting ready to run us over. And Jerry Lee had something. Just not quite that much something.
This is 18 CDs later, I surrender. This is everything Jerry Lee cut before his original Sun contract ran out in 1963. Listening to the man and company build a song, take by take, examining options and wincing at bloopers, the man egan to take wavery shape over my file cabinet.
I have, in fairness, never listened to 18 CDs from any of the others above. But I surfaced hearing a man with most of Little Richard’s ferocity, a man who sang surer than Williams, wider and deeper than Diddley, much looser than Berry, with an uncanny knack for song to beat Orbison. Elvis? Elvis remains Elvis. But Elvis sung starchy by 1963. Jerry Lee had of course ruined his career; if you’re reading this I bet you know how. But the frightening fullness of humanity, everything a man can be, remains.
Live At The Star Club Hamburg
The first of the rock’n’roll wild
men, Jerry Lee scared the life out of every parent during the late fifties with his ferocious on-stage antics, almost killing the piano he played during each performance.This was a man who lived for the moment and proudly displayed his sexuality to the world while thrilling the youngsters who gazed, mouths agape, at this fiery ball of energy, to steal an image from his great hit, ‘Great Balls Of Fire’.
His life was packed with incident and scandal. He was thrown out
of bible college, thrown into jail, lionised for marrying his thirteen year old cousin, admitted to hospital for alcohol and drug abuse and... well, the films and books reveal all.
Originally released in 1964, this vinyl LP is a welcome reissue of a classic live album. Backed by the Nashville Teens, Lewis rips through his own hits and gives superb renditions of others too. From his own ‘Great Balls Of Fire’ and ‘Whole Lotta Shakin’ Goin’ On’ to covers
of ‘Hound Dog’, ‘Long, Tall Sally’
and ‘Your Cheating Heart’, this is a tour de force performance. In fact,
WHOLE LOTTA SHAKE-1V
You smell that blood on the ivory? The furry folk of the Bear Family have just remastered the poll-topping masterpiece from 1964 - Live At The Star Club, Hamburg - on vinyl and clothed it in a stunning gatefold sleeve designed by Ulf Harten.
Live At The Star Club Hamburg
Bear Family LP www.bear-family.de Sometimes touted as one of the greatest live rock 'n' roll albums euer, there's no denying that The Killer is truly an the rampage during this show at The Star Club in 1964. Backed by The Nashville Teens, Lewis marauds through a set that includes several of his own classics such as 'Great Balls Of Fire' and 'Whole Lotta Shakin' Goin' On', as well as covers of Little Richard, Elvis and Ray Charles songs among others. Although he would neuer fully recover the same lofty status he once enjoyed in the popularity stakes following the furore he caused by marrying his teenaged cousin a few years earlier, it's evident that Lewis is clearly a man back at the top of his game performance wise in this show. This vinyl-only reissue will also appeal to collectors, coming as it does replete with a pop-up, gatefold cover depicting a map of Hamburg's legendary Reeperbahn district, as well as the hell-blazing bonus kack 'Down The Line'.