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Ann-Margret Viva La Vivacios - Best Of RCA (2-CD)

Viva La Vivacios - Best Of RCA (2-CD)
 
 
 

catalog number: CDCMED1010

weight in Kg 0,200

 

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Ann-Margret: Viva La Vivacios - Best Of RCA (2-CD)

(2004/CASTLE) 48 tracks (1960s RCA) with color sheet
 

Songs

Ann-Margret - Viva La Vivacios - Best Of RCA (2-CD) Medium 1
1: I Just Don't Understand  
2: Gimme Love  
3: I Don't Hurt Anymore  
4: It Do Me So Good  
5: Heartbreak Hotel  
6: Oh, Lonesome Me  
7: Fever  
8: My Last Date With You  
9: Slowly  
10: Hey, Little Star  
11: Man's Favorite Sport  
12: The Rock And Roll Waltz  
13: Kansas City  
14: Thirteen Men  
15: Jim Dandy  
16: Bye Bye Birdie  
17: You're The Boss (& ELVIS PRESLEY)  
18: Little Boy (Little Girl)  
19: Lost Love  
20: The Lady Me (& ELVIS PRESLEY)  
21: No More  
22: Dance With Me Henry  
23: What Am I Supposed To Do?  
24: Every Beat Of My Heart  
Ann-Margret - Viva La Vivacios - Best Of RCA (2-CD) Medium 2
1: Could It Be?  
2: Please Don't Talk About Me When I'm Gone  
3: Tell Me, Tell Me  
4: What Do You Want From Me  
5: It's Not So Funny  
6: I Ain't Got Nobody (And Nobody Cares For Me)  
7: Chicago  
8: Mister Kiss Kiss Bang Bang  
9: His Ring  
10: Teach Me Tonight  
11: Romance In The Dark  
12: Just Because  
13: Make Love To Me  
14: Begin The Beguine  
15: Hideaway Heart  
16: Mack The Knife  
17: The Swinger  
18: C'est Si Bon  
19: Senor Blues  
20: Blame It On My Youth  
21: All You Had To Do Was Tell Me  
22: Lips That Lie  
23: He's My Man  
24: Bachelor In Paradise  

 

Artikeleigenschaften von Ann-Margret: Viva La Vivacios - Best Of RCA (2-CD)

  • Interpret: Ann-Margret

  • Albumtitel: Viva La Vivacios - Best Of RCA (2-CD)

  • Format CD
  • Genre Rock 'n' Roll

  • Music Genre Rock 'n' Roll
  • Music Style Rock & Roll
  • Music Sub-Genre 201 Rock & Roll
  • Title Viva La Vivacios - Best Of RCA (2-CD)
  • Release date 2004
  • Label CASTLE

  • SubGenre Rock - Rock'n'Roll

  • EAN: 5050749410108

  • weight in Kg 0.200
 
 

Artist description "Ann-Margret"

Ann Margret

Composers Jule Styne and Stephen Sondheim crafted the song Let Me Entertain You to chart the progress of sisters Rose and June in their Broadway musical 'Gypsy.' When we first hear the tune in the show, it's sung by an innocent troupe of child performers. By the time Rose has grown to become the world-famous exotic dancer Gypsy Rose Lee, Let Me Entertain You has become a flashy backing for her bumps and grinds.

In a professional career that's nearing its 40th year, Ann-Margret has become an entertainer of world renown: an actress who's received two Academy Award nominations, and a singer-dancer who has graced stages from Las Vegas to a command performance for the King and Queen of Sweden. And throughout her career, she might have adopted both versions of Let Me Entertain You as her theme song. Because there are two Ann-Margrets: the quiet, demure girl who emigrated from Sweden as a youngster, and the fiery performer whose every note, every move, simply sizzles.

Music has played a major role in Ann-Margret's career from the beginning, and in addition to starring in several musical films, she's continued to sing and dance in spectacular live shows -- her 1992 appearance at Radio City Music Hall in New York is said to be the biggest production ever staged in that renowned venue.

Within a relatively brief time from her arrival in Hollywood, Ann-Margret was soon signed to film and recording contracts; between 1961-'66, she recorded several pop albums for the RCA label, as well as soundtracks for films including 'State Fair', 'Bye Bye Birdie', and (heating up the screen with Elvis Presley) 'Viva Las Vegas.' She was even animated, by the Hanna-Barbera Studios, and appeared as 'Ann-Margrock' in 'The Flintstones', where she wound up singing a lullabye, The Littlest Lamb. During this time, Ann-Margret worked with many of the finest producers, arrangers and musicians in Hollywood and Nashville, and held her own with all of them -- recording pop standards, rhythm and blues, Dixieland jazz or anything else that her producers would give her.

When her RCA contract ended, she all but stopped recording, concentrating her energies in other arenas. Since then, with a few exceptions, Ann-Margret's extensive recorded repertoire has been allowed to go out of print. And in her otherwise-revealing 1994 autobiography, 'My Story' (written with Todd Gold), Ann-Margret all but ignores her time in the recording studio. "I can't believe I did all those songs!," she exclaimed upon being seeing the list of material for this project.

With this set, we intend to restore Ann-Margret's RCA recordings, and others from the same era, to their proper prominence, and to fill that gap in her biography. She'll entertain you, to be sure. But, to quote another of the songs included here, what you'll hear is all but guaranteed to be More Than You Know.


* * *
Gustav Olsson was an electrician, nearly 40 years old, when he married 21-year-old Anna Aronsson. Though they lived in Stockholm at the time their daughter, Ann-Margret (named after a popular skating star) was born on April 28, 1941, they soon moved to Valsjobyn, a town of 150 people 200 miles south of the Arctic Circle and bordering Norway.

Gustav had emigrated to Canada as a teenager, subsequently moving to Chicago, Illinois, before returning to Sweden and marring Anna. And while Ann-Margret was still very young, Gustav moved back to the United States, hoping to find work, and left his wife and daughter to live with Anna's mother. The two women ran a restaurant and bakery, where tiny Ann-Margret would sing and dance to entertain the local farmers, lumberjacks and soldiers.

 

 
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