- catalog number: LP3779258
- weight in Kg 1
Allman Brothers Band: 1971 Fillmore East (4-LP)
Outstanding edition of a classic.
The Allman Brothers Band and the LPs of their performances at The Fillmore
East, the> Church of Rock and Roll, "1971 Legend. the Rolling
Stone is one of the double-LP in the top 50 of the 500 best albums of all
Times and places at number 15 of> 40 Greatest Stoner Albums <.
With the fourth edition »The 1971 Fillmore East Recordings" is the
Allman Brothers Band again a sonic monument set. the best
Live album of all time is even better.
The double-LP "At Fillmore East" from 1971 originally contained
a selection of four live sets of the Allman Brothers Band. As in The
Fillmore East was customary for the troops two shows, at 20 and 23
Been clock, committed on two nights of a weekend. the four
Concerts on 12 and 13 March 1971 are still regarded as a milestone in
American rock music. This box, which on July 25, 2014
appears, includes four LPs. The new edition brings a selection box
the two sets of the evenings of March 1971 by concert on June 27
1971 at the Fillmore East on the ears.
Already in 1992 were the legendary March of the Allman Brothers concerts
Tape released as "The Fillmore Concerts" on two CDs. in this
second edition were partially remixed the concert recordings.
In addition, the edition of 1992 contained in part of the other recordings
Concert week end in March 1971 and two live recordings from the
Fillmore June 1971 on the studio album "Eat A Peach"
were published. This second edition, "The Fillmore Concerts" more,
therefore significantly on the first of 1971. In 2003 appeared a
third edition, the "At Fillmore East Deluxe Edition" on 2 CDs. 2,003
were the live master recordings of "At Fillmore East" of the 1971 and
"Eat A Peach" together. The deluxe edition of 2003 was thus
again closer to the first one of the 1,971th
With "The Fillmore East 1971 Recordings" the Allman Brothers Band, The
Now released on four LPs, fans and the curious get their
Costs. The best of the five concerts at the Fillmore East from the 12th and 13th
March 1971 and 27 June 1971 to hear. Overall, 1971 was a
important year for the Allman Brothers Band, with the live concerts
their final breakthrough came and despite the withdrawal treatments
Grief over the tragic death of Duane Allman her third
Studio album was finishing.
The four LPs of "The 1971 Fillmore East Recordings," the Allman Brothers
Band form a final, limited deluxe edition of the legendary
Double-LP "At Fillmore East". The producer of this edition "The 1971
Fillmore East Recordings "is Bill Levenson, who is also the definitive
2014 anthology he takes the Allman Brothers Band for the last time
in six shows on the stage of the Beacon Theatre in New York. 45 years
have passed since the founding of the band, where they are discharged. for
those who can not travel so far and want this Limited
Edition is a great consolation.
Article properties: Allman Brothers Band: 1971 Fillmore East (4-LP)
|Allman Brothers Band, The - 1971 Fillmore East (4-LP) LP 1|
|01||1971/First Show)||Statesboro Blues (Live At The Fillmore East|| |
|02||1971/First Show)||Trouble No More (Live At The Fillmore East|| |
|03||1971/First Show)||Don't Keep Me Wonderin' (Live At The Fillmore East|| |
|04||1971/Second Show)||Done Somebody Wrong (Live At The Fillmore East|| |
|05||1971/First Show)||In Memory Of Elizabeth Reed (Live At The Fillmore East|| |
|06||1971/Closing Show)||Midnight Rider (Live At The Fillmore East|| |
|Allman Brothers Band, The - 1971 Fillmore East (4-LP) LP 2|
|01||1971/Closing Show)||One Way Out (Live At The Fillmore East|| |
|02||1971/Second Show/Part 1)||Stormy Monday (Live At The Fillmore East|| |
|03||1971/Second Show/Part 1)||Hot 'Lanta (Live At The Fillmore East|| |
|04||1971/First Show)||You Don't Love Me (Live At The Fillmore East|| |
|Allman Brothers Band, The - 1971 Fillmore East (4-LP) LP 3|
|01||1971/Second Show/Part 1)||Whipping Post (Live At The Fillmore East|| |
|02||1971/Second Show/Part 1)||Mountain Jam (Live At The Fillmore East|| |
|Allman Brothers Band, The - 1971 Fillmore East (4-LP) LP 4|
|01||1971/Second Show/Part 2)||Mountain Jam (Live At The Fillmore East|| |
|02||1971/Second Show)||Drunken Hearted Boy (Live At The Fillmore East|| |
Allman Brothers Band
Amerikanische Gruppe mit Blues- und Country-Western-Einflüssen. Wurde 1969 in Jacksonville (Florida) von den beiden Gitarristen und Brüdern Duane und Gregg Allman gegründet. Den Sound der Gruppe prägen 2 gleichberechtigte Gitarristen und Schlagzeuger. Berühmt wurde die Gruppe vor allem in Europa zunächst weniger wegen ihrer Musik, sondern mehr durch 2 tödliche Motorradunfälle.
Am 29.10.1971 war es Boß Duane Allman, der verunglückte, 1 Jahr später, fast an derselben Stelle, verunglückte Bassist Berry Oakley am 11.11. Gregg Allman formierte die Gruppe mit Gitarrist Dickie Betts, Pianist Chuck Leavell, Schlagzeuger Jai Johanny Johanson und Butch Trucks und dem Bassisten Lamarr Wil|iams neu.
1973 gelang den Allman Brothers weltweit der Durchbruch mit dem Hit „Ramblin' Man'. Seitdem wirkt die Gruppe auch musikalisch sanfter. Boss Gregg Allman machte im Sommer 1975 spektakuläre Schlagzeilen durch 'seine Hochzeit mit Cher (vom Duo Sonny Er Cher) und die nach einer Woche folgende Trennung. Gerüchte wollten von einer Trennung der Gruppe wissen, als die einzelnen Mitglieder Solo-LPs veröffentlichten. Neueste LP: „Brothers and Sisters', von Gregg Allman: „Laid Back', Dickie Betts: „Highway Call'.
Original Presse-Info: WEA Music GmbH
Allman Brothers Band
For the first Allman Brothers Band LP without Duane, guitarist Dickey Betts offered up Ramblin' Man, a song he hoped to pitch in Nashville. Talking to the 'Wall Street Journal,'he said, "In 1969, I was playing guitar in several rock bands that toured central Florida. Whenever I'd have trouble finding a place to stay, my friend Kenny Harwick would let me crash at his garage apartment for a few days in Sarasota. Kenny was a friendly, hayseed-cowboy kind of guy who built fences and liked to answer his own questions before you had a chance. One day he asked me how I was doing and said, 'I bet you're just tryin' to make a livin' and doin' the best you can.' I liked how that sounded and carried the line around in my head for about three years. Then one day in 1972, I was sitting in the kitchen of what we called the Big House in Macon, where everyone in the band lived - and decided to finish the lyrics. The words came fast, like I was writing a letter. When [producer] Johnny Sandlin asked if I had any songs for our upcoming album, I ran down 'Ramblin' Man' on my acoustic guitar. Everyone in the room went nuts. My inspiration was Hank Williams's 'Ramblin' Man, ' from 1951. His song and mine are completely different but I liked his mournful, minor-chord feel. Except for Kenny's line, the rest of the lyrics were autobiographical. When I was a kid, my dad was in construction and used to move the family back and forth between central Florida's east and west coasts. I'd go to one school for a year and then the other the next. I had two sets of friends and spent a lot of time in the back of a Greyhound bus. Ramblin' was in my blood But the song, as I originally wrote it, had a country flavor and needed to be Allmanized - given that rock-blues feeling. I thought of Eric Clapton's 'Layla' - which had come out a year earlier - with its long jam at the end. I figured something like that might work. When we went into Capricorn Sound Studios in October '72, 'Ramblin' Man' was the first song we recorded - and it would be [bassist] Berry Oakley's last song before he died in a motorcycle crash a month later. I knew it needed a solid intro to grab the listener. My daddy had been a fiddler and I heard a lot of fiddle music as a child. I had a ukulele and had played along with him. What I came up with for the intro was a fiddle-like opener built on a pentatonic scale - but with me on guitar and Chuck [Leavell] on piano exchanging lines."
Budding guitar star Les Dudek was there when Ramblin' Man was cut: "Dickey invited me to the studio. They'd record parts and listen back to hear how the song was developing. Dickey kept asking what I thought of his overdubs and I'd tell him. Finally he said to come out in the studio and play it with him. I played the high harmony parts and Dickey played the low ones. After we recorded the first set in the lower register, we overdubbed the same harmonies in the higher register. Then they stacked them all together on the tape. You hear us where the riff starts to repeat and there's a wall of guitars playing harmonies in two octaves."
The result was a #2 single, headlining a #1 album, definitively answering the question of what the Allman Brothers Band would do without Duane.
Various Truckers, Kickers, Cowboy Angels - The Blissed-Out Birth Of Country Rock, Vol. 6: 1973 (2-CD)
Read more at: https://www.bear-family.com/various-truckers-kickers-cowboy-angels-the-blissed-out-birth-of-country-rock-vol.-6-1973-2-cd.html
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