Peter Alexander Stargala - Peter Alexander (2-LP)

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catalog number: LP2664168
weight in Kg 0.3

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(Polydor) 40 tracks, gatefold cover more

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Peter Alexander: Stargala - Peter Alexander (2-LP)

(Polydor) 40 tracks, gatefold cover

Article properties: Peter Alexander: Stargala - Peter Alexander (2-LP)

Interpret: Peter Alexander
Album titlle: Stargala - Peter Alexander (2-LP)
Genre Schlager und Volksmusik
Geschwindigkeit 33 U/min
Vinyl record size LP (12 Inch)
Record Grading Mint (M)
Sleeve Grading Mint (M)
Artikelart LP
Label BMG - Ariola
EAN: 2500365911655
weight in Kg 0.3

Alexander, Peter - Stargala - Peter Alexander (2-LP) LP 1
01	Melodien Zum Verlieben	Peter Alexander
02	Mandolinen Und Mondschein	Peter Alexander
03	Ich Werde Jede Nacht Von Ihnen Träumen	Peter Alexander
04	Bei Dir War Es Immer So Schön	Peter Alexander
05	Sternengold Und Silbermond	Peter Alexander
06	Drunt In Der Lobau	Peter Alexander
07	Mondscheinmelodie	Peter Alexander
08	Laß Mich Nie, Nie, Nie Mehr Allein	Peter Alexander
09	Warte, Warte Nur Ein Weilchen	Peter Alexander
10	Einmal Sagt Man Sich Adieu	Peter Alexander
11	Love Is A Many Splendored Thing	Peter Alexander
12	Fräulein Wunderbar	Peter Alexander
13	Schenk Mir Ein Bild Von Dir	Peter Alexander
14	Bist Du Einsam Heut' Nacht	Peter Alexander
15	Verliebte Muß Man Gar Nicht Erst In Stimmung Bringen	Peter Alexander
16	Wien, Wien, Nur Du Allein	Peter Alexander
17	Mei Muatterl War A Wienerin	Peter Alexander
18	Salzburger Nockeln	Peter Alexander
19	Wenn Der Herrgott Net Will	Peter Alexander
20	Ich Marschier Mit Mein Duli-Dulieh	Peter Alexander

Alexander, Peter - Stargala - Peter Alexander (2-LP) LP 2
01	Bist Du Einsam Heut' Nacht	Peter Alexander
02	Nachts Hör Ich Immer Alle Uhren Schlagen	Peter Alexander
03	Was Frauen Träumen	Peter Alexander
04	Ich Bin Heute Ja So Verliebt	Peter Alexander
05	Moulin Rouge (Ein Lied Aus Paris)	Peter Alexander
06	Wenn Erst Der Abend Kommt	Peter Alexander
07	Müssen Frauen Einsam Sein	Peter Alexander
08	Seide Und Samt	Peter Alexander
09	Tanz Mit Mir	Peter Alexander
10	Es Muß Was Wunderbares Sein	Peter Alexander
11	True Love (Deine Liebe)	Peter Alexander
12	Wunderbares Mädchen	Peter Alexander
13	Ungeküßt Sollst Du Nicht Schlafen Gehn	Peter Alexander
14	Sag Beim Abschied Leise Servus	Peter Alexander
15	Komm Mit Mir Ins Chambre Separée	Peter Alexander
16	Piccolo-Duett	Peter Alexander
17	Ich Hab Die Schönen Madeln Net Erfunden	Peter Alexander
18	Die Kirschen In Nachbars Garten	Peter Alexander
19	An Der Donau, Wenn Der Wein Blüht	Peter Alexander
20	Heut' Kommen D'engeln Auf Urlaub Nach Wien	Peter Alexander

Peter Alexander born 30 June 1926 - died 12 February 2011 Peter Alexander Peter... more

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"Peter Alexander"

Peter Alexander

born 30 June 1926 - died 12 February 2011

Peter Alexander

Peter Alexander has never forgotten how it all began and to whom he owed his success: "The'50s were wonderfully exciting. There wasn't much to eat, but we were happy. Time wasn't yet so fast-moving and superficial, the audience was just kneeling down." Formative for his path were in turn: his wife Hilde, who managed and shielded him all his life, colleagues and friends from the entertainment industry, who supported him like Gerhard Mendelson, who produced the first Austroton records with him, then Kurt Feltz, who turned one of many into the top star of the German hit, film and television producer Wolfgang Rademann and ZDF programme director Joseph Viehöver. With them he achieved the highest sales figures for his records and the highest ratings for his television shows. For four decades Peter Alexander remained the favourite of the German-speaking pop audience.

The decisive step from Viennese entertainer to the voice of the German hit was the change to record producer Feltz. He had a sure feeling for which international successful titles would also hit the German market, and he could produce the lard himself, which went down with the audience like oil. The sweet girl after the model of The Naughty Lady Of Shady Lane - top hit of the Ames Brothers from 1954 - was an example of the former. The moon keeps its watch, as the latter is clear. Even at that time it was hard to sing of a'Mädi' and his'Fredy', and the term'blonde danger', which aroused associations with pin-ups, referred bieder to the smashing of vases. You have to have a firm grip on your community to finally explain to it the identity of the'sweet girl' as follows: "The little baby who loves Fredy is only half a year old". Even stronger is the stringing together of folk song clichés as from the old well ("he who soaks all horses"), the golden evening ("when the sun sinks"), the moon (who "watches over men") and the stars (who "beckon"). Who could then still afford to intonate "Aja-chiba-chiba" was beyond all doubt.

Peter Alexander Neumayer from Vienna presented himself to his admirers like one of them: "Hier ist ein Mensch" - as much as the hit with this title in 1970 pleaded for humanity, so much was its singer always striving to live up to his stage image of the good person. The image of man Peter Alexander included on the one hand that he called his wife Hilde'Schnurrdiburr' and on the other hand that he never questioned his audience. "One must not underestimate the masses," he formulated his credo in an interview with'Spiegel'. This does not explain the legendary success of the singer, actor, entertainer and showmaster, who was born on 30 June 1926, but his continuing popularity can be traced back to this.

Peter Alexander always wanted to go high, first as a doctor and then as an actor. But before that, he was still in the war machine. After graduating from high school in 1944, he became a flak helper, then a navy soldier and was taken prisoner of war at the age of 19. There he got to know Anglo-American entertainment and tried to entertain himself. He had already taught himself to play the piano at the age of 15. At the Reinhardt Seminar in Vienna after the war he was able to realize his dream of becoming an actor.

It soon became clear that he had a tendency towards comedy, that he could parody Hans Moser wonderfully and enthused as a cabaret artist. He himself sums up his Viennese beginnings as follows: "I played with Farkas and Waldbrunn in the Simpl. I did a popular radio show on the station'Rot-Weiss-Rot'. That's when I sang my first record. And I played theatre: in the Bürgertheater with Heesters and Rökk, in the Stadttheater with Conrads and Imhoff and with Qualtinger in the Theater in der Josefstadt. That was when I made my first big feature film with Franz Antel and Hans Moser. Not to mention: Then I married my Hilde..."

After the 50s was far from over for him. Unlike most protagonists of the light muse, he did not have to fear the upheavals of the flower power and APO years. "The'60s was a golden and happy decade." The audience remained loyal to him despite - or just because of - the beat revolution, as it had already cheered him during the rock'n' roll years. His motto sounds almost simple, but it hits the nail on the head: "If you're in the entertainment business, you should distract from your worries. The countless films in which he appeared from 1948 to 1971 also distracted from his worries. His film hits dominated the record market in the 50s and 60s, and

Peter Alexander Strasse meiner Lieder
Read more at: https://www.bear-family.de/alexander-peter-strasse-meiner-lieder.html
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