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Arthur Alexander A Shot Of Rhythm And Blues (7inch, 33rpm, EP, PS, SC)

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$11.81 *

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Item is temporarily out of stock.
Approx. delivery time: up to 3 weeks. (as far as available at the supplier - can be faster, but sometimes unfortunately not)

  • 45ETEP15086
  • 0.07
(2017/El Toro) 5-Track EP - 'Judd' and 'Dot' recordings from 1960 to 1962 more

Arthur Alexander: A Shot Of Rhythm And Blues (7inch, 33rpm, EP, PS, SC)

(2017/El Toro) 5-Track EP - 'Judd' and 'Dot' recordings from 1960 to 1962

Video von Arthur Alexander - A Shot Of Rhythm And Blues (7inch, 33rpm, EP, PS, SC)

Article properties: Arthur Alexander: A Shot Of Rhythm And Blues (7inch, 33rpm, EP, PS, SC)

  • Interpret: Arthur Alexander

  • Album titlle: A Shot Of Rhythm And Blues (7inch, 33rpm, EP, PS, SC)

  • Label EL TORO

  • Genre Rock'n'Roll

  • Year of publication 2017
  • Geschwindigkeit 33 U/min
  • Mint (M)
  • Sleeve Grading Mint (M)
  • Vinyl record size EP (7 inch)
  • Artikelart 7inch

  • EAN: 8436567250114

  • weight in Kg 0.07
Alexander, Arthur - A Shot Of Rhythm And Blues (7inch, 33rpm, EP, PS, SC) 7inch 1
01 A Shot Of Rhythm And Blues Arthur Alexander
02 Lover Please Arthur Alexander
03 Sally Sue Brown (as June Alexander) Arthur Alexander
04 The Girl That Radiates That Charm (as June Alexander) Arthur Alexander
05 You're The Reason Arthur Alexander
Arthur Alexander, born in Sheffield, Alabama, in 1942, was the first hit artist to emerge from... more
"Arthur Alexander"

Arthur Alexander, born in Sheffield, Alabama, in 1942, was the first hit artist to emerge from Rick Hall's Muscle Shoals studio with a beautifully understated interpretation of the self-penned 'You Better Move On' (1962) — a seminal per-formance, reflected by many later southern soul hits. Recorded before Hall had formed his own Fame label, it was released by Dot who proceeded to market Alexander as a pop singer.

Despite less sensitive productions, he was equally impressive on the Mann /Weil song 'Where Have You Been' and his own 'Anna' (1962) and 'Go Home Girl' (1963), and although he was indifferently received at home, all four records were much admired and covered by British acts (including the Rolling Stones and the Beatles). Subse-quent records for Dot, Sound Stage 7 (1965-9), Monument (1968), and most recently a fine album on Warner Bros., nearly all excellent examples of southern country soul, were ignored until he returned to the Hot Hundred with his own `Everyday I Have To Cry A Little' in 1975.

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