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Stevie Wonder Essential Stevie Wonder (2-CD)

Essential Stevie Wonder (2-CD)
 
 
 

catalog number: CDWD72585

weight in Kg 0,110

 

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Stevie Wonder: Essential Stevie Wonder (2-CD)

(Motown) 39 Tracks - 12 page booklet - Fantastic Tamla-Motown anthology, starting when he was still 'Little' Stevie Wonder, 1963-1972! Rare German Pressing!!
 

Songs

Stevie Wonder - Essential Stevie Wonder (2-CD) Medium 1
1: I Was Made To Love Her
2: Thank You Love
3: Until You Come Back To Me (That's What I'm Gonna Do)
4: I'm Wondering
5: Shoo-Be-Doo-Be-Doo-Da-Day
6: Angie Girl
7: More Than A Dream
8: For Once In My Life
9: You Met Your Match
10: I Don't Know Why I Love You
11: Yester-Me, Yester-You, Yesterday
12: My Cherie Amour
13: If You Really Love Me
14: We Can Work It Out
15: Signed, Sealed, Delivered (I'm Yours)
16: Never Had A Dream Come True
17: Something Out Of The Blue
18: Heaven Help Us All
19: Do Yourself A Favor
Stevie Wonder - Essential Stevie Wonder (2-CD) Medium 2
1: Fingertips (Full Version)  
2: Workout Stevie, Workout  
3: Hey Harmonica Man  
4: Kiss Me Baby  
5: High Heel Sneakers  
6: Happy Street  
7: Don't You Feel It  
8: Castles In The Sand  
9: Contract On Love  
10: I Call It Pretty Music, But The Old People Call It The Blues Part I  
11: Uptight (Everything's Alright)  
12: Music Talk  
13: Ain't That Asking For Trouble  
14: Love A Go Go  
15: Be Cool, Be Calm (And Keep Yourself Together)  
16: Nothing's Too Good For My Baby  
17: I'd Cry  
18: Travelin' Man  
19: A Place In The Sun  
20: Blowin' In The Wind  

 

Artikeleigenschaften von Stevie Wonder: Essential Stevie Wonder (2-CD)

  • Interpret: Stevie Wonder

  • Albumtitel: Essential Stevie Wonder (2-CD)

  • Format CD
  • Genre Soul

  • Title Essential Stevie Wonder (2-CD)
  • Release date 1987
  • Label Motown Records

  • SubGenre R&B Music - Soul

  • EAN: 0035627258527

  • weight in Kg 0.110
 
 

Artist description "Wonder, Stevie"

Stevie Wonder

Uptight (Everything's Alright)

Stevie Wonder

Uptight (Everything's Alright)

 

When he first arrived at Motown, everyone could tell 11-year-old Stevland [Steveland ?] Morris was a musical prodigy. Harnessing that raw talent into something marketable, however, took some time. Born May 13, 1950 in Saginaw, Michigan but brought up in Detroit, the sightless lad knew the brother of The Miracles' Ronnie White, who saw him play his bongos and harmonica and singing in the White family's living room. "It just blew my mind,” said the late White. "So I took him over to the studio and introduced him to Berry (Gordy), and to Brian and Eddie Holland and Lamont Dozier. They signed him and put him to work with Clarence Paul, who was one of the persons who was very influential in Stevie's development.” Judged by either Gordy or his sister Esther (accounts vary) to be a wonder, the handle stuck like glue.

Little Stevie Wonder made his first platter for Tamla in 1962. Under the tutelage of assistant A&R man Paul (the brother of The '5' Royales' guitarist Lowman Pauling), the ebullient young multi-instrumentalist tried everything from R&B to jazz but kept missing the hit parade until Gordy recorded his show at Chicago's Regal Theater. Fingertips had originally been an instrumental, but in front of a roaring big band at the Regal, he turned it into a singalong. "He would say, 'Everybody say yeah!' And it caught on,” said its late co-writer, saxist Hank Cosby. "Next thing I know, Stevie was blowin' his harmonica and tearing the place down.”  Edited into a two-sided 45, Fingertips (Part 2) topped the pop and R&B charts in 1963, rough spots and all.

Stevie's next few studio-cut Tamla singles—Workout Stevie, Workout, Castles In The Sand, Hey Harmonica Man—were mid-level hits, and he mainstream exposure in the films 'Muscle Beach Party' and 'Bikini Beach.' Along the way, he discarded the 'Little' part of his moniker. But in 1966, his 15-year-old voice noticeably maturing, Wonder topped the R&B charts and sailed to #3 pop with the pounding Uptight (Everything's Alright),  which he co-wrote with Cosby and lyricist Sylvia Moy.

Moy had just joined Hitsville when A&R boss Mickey Stevenson asked for volunteers to write for Wonder in hopes of shaking him out of his slump, which threatened his future there. "I said, 'I don't think it's over for him,' " says Moy. "The guys didn't know what to do with the changing voice and everything.” Sylvia asked Stevie to play his fresh material but heard no potential hits. "Just as I was going to start going in my bag, he said, 'Wait a minute! I have one more thing,'” she says. "And he did 'Baby, everything's all right, uptight.' And I said, 'Stevie, that's it! Let's work with that!'”

Cosby put together an aggressive brass-leavened arrangement ignited by Benny Benjamin's jackhammer drum rolls. "I did the music, and I used about four or five horns,” said Cosby, who produced Uptight with Stevenson. "The track was cut when Stevie heard it.”  The way Moy and Wonder laid it out, the word 'uptight' assumed a positive meaning. Stevie thus entered the next phase of his astounding career.

- Bill Dahl -

Various - Sweet Soul Music

Various - Sweet Soul Music 29 Scorching Classics From 1966

Read more at: https://www.bear-family.de/various-sweet-soul-music-29-scorching-classics-from-1966.html
Copyright © Bear Family Records

 
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