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HOOKER, John Lee Live At Sugar Hill

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catalog number: CDCHD938

weight in Kg 0,107

$15.87 *

HOOKER, John Lee: Live At Sugar Hill

(1962 'Fantasy') (75:07/19) Zwei LPs auf einer CD / two albums on one CD. Great solo gigs


HOOKER, John Lee - Live At Sugar Hill Medium 1
1: I Just Can't Hold On Much Longer
2: I'm Gonna Keep On Walking
3: T.B. Is Killing Me
4: Run On
5: This World
6: I Like To See You Walking
7: It's You I Love, Baby
8: Driftin' Blues
9: You Gonna Miss Me
10: You're Nice And Kind To Me Lou Della
11: Money
12: I Want To Get Married
13: Matchbox
14: Boogie Chillun
15: Night Time Is The Right Time
16: You Don't Move Me Baby
17: You Been Dealin' With The Devil
18: My Babe
19: Key To The Highway


Artikeleigenschaften von HOOKER, John Lee: Live At Sugar Hill

  • Interpret: HOOKER, John Lee

  • Albumtitel: Live At Sugar Hill

  • Format CD
  • Music Genre Blues
  • Music Style The Blues
  • Music Sub-Genre 910 The Blues
  • Title Live At Sugar Hill
  • Label Ace Records

  • EAN: 0029667193825

  • weight in Kg 0.107

Artist description "Hooker, John Lee"

John Lee Hooker

After nomadically label-hopping for the first seven years of his astonishingly prolific recording career, Mississippi Delta émigré John Lee Hooker settled into a relatively exclusive relationship with Chicago’s Vee-Jay Records in 1955. Things had changed dramatically on the R&B front since 1949; no longer would a haunting solo blues piece like the Hook’s Boogie Chillen (it’s on BCD 16921, Disc One) find its way to the top of the charts now that rock 'n' roll had captured the teenage demographic.

Still, there remained a solid southern market for blues, and John Lee was happy to help fill it on Vee-Jay through 1964 (granted, there were dalliances with a number of other labels during that span). His first Vee-Jay date, conducted in Chicago in October of ’55, found him in the company of labelmate Jimmy Reed, guitarist Eddie Taylor (a steadying presence for both Reed and Hooker whenever they entered the studio), bassist George Washington, and drummer Tom Whitehead, who had been playing sessions with the Boogie Man since 1953 and clearly knew the territory.

Reed was absent for Hooker’s Vee-Jay encore session, held March 27, 1956, but the rhythm section remained constant. Among the enduring gems laid down that day was the rollicking Dimples, a standard in John Lee’s repertoire from then on. He’s listed as writing it with Jimmy Bracken, the co-owner of Vee-Jay. Hooker was fretting an electric guitar instead of the acoustic he used on his first Detroit sessions (ironically, he’d have to retrieve it when the folk-blues trend hit).

Hooker’s Vee-Jay stint produced some of the most polished recordings he ever made, thanks to stellar musicianship by Taylor and his comrades, who seemed to cope with Hooker’s erratic timing better than just about anyone else he’d recorded with. At the end of 1958, John Lee would find his way back onto the R&B charts for the first time in more than seven years with I Love You Honey. He scored nationally again in 1960 with No Shoes. But as it turned out, the John Lee Hooker story was just getting underway.

Bill Dahl
Chicago, Illinois

Electric Blues 1939-2005. - The Definitive Collection!


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